Sculptures in the Garden

Mudgee NSW
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2021 CATALOGUE

  • 2021 CATALOGUE
  • 2021 Exhibition 1-30
  • 2021 Exhibition 31-60
  • 2021 Exhibition 61-90
  • 2021 Exhibition 91-120
  • 2021 Exhibition 121-150
  • 2021 Exhibition 151-180
  • 2021 Exhibition 181-210
  • 2021 Exhibition 211-240
  • 2021 Exhibition 241-270
  • 2021 Exhibition 271-282
PDF 2021 CATALOGUE
Featured
1. 'Contact and Tracing' by Amanda Harrison (Greenwich)
1. 'Contact and Tracing' by Amanda Harrison (Greenwich)

MATERIAL: Ceramic

SIZE: 44 x 33 x 20 (cm)

PRICE: SOLD

STATEMENT: Searching for contact and tracing for meaning. Where do we go from here?

ARTIST BIO: After careers in film and graphics, Amanda now works from her Sydney studio, creating sculptures in ceramics and metal. She loves creating the human figure, looking for simplicity, joy, life and love in the form. Amanda has exhibited widely and won numerous prizes, including 2 acquisitive prizes in 2020.

2. 'Leap' by Peter Kasper (Emu Swamp)
2. 'Leap' by Peter Kasper (Emu Swamp)

MATERIAL: Powder coated steel and fibreglass base

SIZE: 60 x 80 x 80 (cm)

PRICE: SOLD

STATEMENT: Fish out of water!

ARTIST BIO: Born Switzerland, moved to Australia and now I live at Emu Swamp. My background is engineering and my interest is kinetic sculpture. I have exhibited in Mudgee and Orange; and sold pieces in NSW, Queensland and Switzerland. I have two sculptures in Mudgee: in Lawson Park and at Mudgee Hospital.

3. 'Seated Figure no.2' by Jason Farrow (Leichhardt)
3. 'Seated Figure no.2' by Jason Farrow (Leichhardt)

MATERIAL: Patinated Bronze

SIZE: 50 x 28 x 35 (cm)

PRICE: $13,900

STATEMENT: I was cutting across the park when I noticed this woman sitting by herself.

ARTIST BIO: Through mark making, Jason attempts to negotiate the way in which form is informed by material, and vice versa. His sculptures are constructed around themes relating to daily observations, memories, and unusual encounters that have left a mark.

4. 'barefoot' by Aarone Neill (Sydney)
4. 'barefoot' by Aarone Neill (Sydney)

MATERIAL: Bronze

SIZE: 24 x 30 x 27 (cm)

PRICE: $5,000

STATEMENT: Barefoot in the grass. Barefoot in the sand. Barefoot in the sea. Barefoot on the land.

Sculpted from clay and cast in bronze, barefoot speaks to sensations of connecting to the earth and reconnecting with nature.

ARTIST BIO: Aarone is an Irish-Australian artist working with sculpture and installation. His practice is grounded in memories of growing-up during the Troubles in Northern Ireland. Aarone’s work deals with concepts of nature, common humanity and optimism through adversity. He is inspired by finding beauty in everyday observations, memory, and sensation.

5. 'The Cuban 3' by Matt Hill (Rye)
5. 'The Cuban 3' by Matt Hill (Rye)

MATERIAL: Corten steel

SIZE: 30 x 30 x 30 (cm)

PRICE: SOLD

STATEMENT: Cubes have six faces. This cube has three.

ARTIST BIO: Matt Hill is an award-winning Australian artist who has a passion for creating unique and mesmerising sculptures from corten steel. A carpenter by trade, Matt has harnessed his knowledge of architectural and rendering software to create eye-catching pieces that are not bound by size or design limitations.

6. 'Under Pressure' by Stephen Hogan (Bathurst)
6. 'Under Pressure' by Stephen Hogan (Bathurst)

MATERIAL: 100% recycled steel

SIZE: 42 x 13 x 13 (cm)

PRICE: $1,600

STATEMENT: Now more than ever, we seem to be under increasing pressure. But remember, that's how diamonds are made.

ARTIST BIO: Where others just see scrap steel, Stephen Hogan sees beauty, form and shape. He creates pieces that respect and preserve the original but strives to give them new form, life and meaning in a modern context. Hogan works full time as a sculptor from his studio in Bathurst.

7.  'Country and Western' by Adam Rish (Clovelly)
7. 'Country and Western' by Adam Rish (Clovelly)

MATERIAL: Teak wood

SIZE: 100 x 150 x 50 (cm)

PRICE: $12,000

STATEMENT: Country and Western features an anthropomorphic road figure, its tail a trellis of birds. On its back, a car chases a king who chasing his horse. The work is a dog-eat-dog scenario with the tyranny of macadam smothering everything.

ARTIST BIO: Adam Rish has held 41 solo exhibitions and is represented in many major collections since 1975. His interest is cross-cultural collaboration as “world art” (like “world music”) to affirm indigenous culture, regional diversity and the possibility of productive inter-cultural relations. He has been predominately a sculptor from 2007.

8.	'Precarious' by Keith Chidzey (Yowie Bay)
8. 'Precarious' by Keith Chidzey (Yowie Bay)

MATERIAL: Recycled wharf timber, camphor

SIZE: 90 x 38 x 38 (cm)

PRICE: $ 2,650

STATEMENT: Increasing pressures, increasing hopelessness, increasing despair. Until … we are just balancing on the brink and emotionally curled up in a ball. Recognize this. It happens to us all. There is a way forward if you reach out.

ARTIST BIO: I am a sculptor and land artist, driven by a desire to highlight beauty in the world. Many years of study in Fine Arts, including researching into fire as a method of visual expression, culminated in an M.F.A. (UNSW). My practice currently utilises timber and bronze whilst incorporating other materials.

9.	'Shielded III' by Stephen King (Walcha)
9. 'Shielded III' by Stephen King (Walcha)

MATERIAL: Hawthorn

SIZE: 60 x 18 x 21 (cm)

PRICE: $5,500

STATEMENT: Shielded III is from a series of work responding to the pandemic.

ARTIST BIO: Graduated SCA - Visual Arts in 1979. Initiated Walcha’s Open Air Gallery in 1996. Represented Australia in the Inami Wood Sculpture Symposium, Japan, 2007. Exhibited in SXS Bondi, Cottesloe, Aarhus, Denmark - 29 times. 2013 Winner SXS Bondi. 2020 Winner of Sculpture in the Vineyards. 2020 Winner of SIG.

10.   ‘Rhianna the red tailed black cockatoo’ by Chris Anderson (Glenaroua)
10. ‘Rhianna the red tailed black cockatoo’ by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 40 x 20 x 33 (cm)

PRICE: $5,000

ARTIST STATEMENT: Rhianna the red tailed black cockatoo can be displayed on the rustic plinth supplied or on any surface where the mounting nail can be attached.

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

11.	‘Richard the red tailed black cockatoo’ by Chris Anderson (Glenaroua)
11. ‘Richard the red tailed black cockatoo’ by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 40 x 60 x 60 (cm)

PRICE: SOLD

STATEMENT: Richard is flexing his plumage, hoping the pretty girls notice.

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

12.	‘Bartholomew the Boobook Owl’ by Chris Anderson (Glenaroua)
12. ‘Bartholomew the Boobook Owl’ by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 20 x 17 x 10 (cm)

PRICE: SOLD

STATEMENT: I love these Boobook owls that live in the bush around my house. They are such curious little things and always seem to be surprised with every new thing they see.

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

13.	‘Ken the kookaburra’ by Chris Anderson (Glenaroua)
13. ‘Ken the kookaburra’ by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 13 x 12 x 20 (cm)

PRICE: $2,800

STATEMENT: Kookaburras simply always make me smile and bring delight every time I see one.

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

14.   ‘Kiera the Kookaburra’ by Chris Anderson (Glenaroua)
14. ‘Kiera the Kookaburra’ by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 30 x 20 x 12 (cm)

PRICE: $2,800

STATEMENT: Kookaburras simply always make me smile and bring delight every time I see one.

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

15.    ‘Kylie the Kookaburra’ by Chris Anderson (Glenaroua)
15. ‘Kylie the Kookaburra’ by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 25 x 20 x 12 (cm)

PRICE: $2,800

STATEMENT: Kookaburras simply always make me smile and bring delight every time I see one.

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

16.    ‘Carmella the crimson rosella’ by Chris Anderson (Glenaroua)
16. ‘Carmella the crimson rosella’ by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 60 x 50 x 40 (cm)

PRICE: SOLD

STATEMENT: I have always been fond of the crimson rosellas that frequent my garden. Stunning colours and beautiful features.

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

17.    ‘Rod the rosella’ by Chris Anderson (Glenaroua)
17. ‘Rod the rosella’ by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 60 x 50 x 40 (cm)

PRICE: $1,600

STATEMENT: I have always been fond of the crimson rosellas that frequent my garden. Stunning colours and beautiful features.

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

18.    ‘Spontaneous Dance’ by Jenny Herbert-Smith (Bellevue Hill)
18. ‘Spontaneous Dance’ by Jenny Herbert-Smith (Bellevue Hill)

MATERIAL: Painted steel, concrete, space

SIZE: 74 x 55 x 39 (cm)

PRICE: $1,800

STATEMENT: Spontaneous Dance evolved with the first twist and turn of steel leading to the next without any prior planning. The two separate forms can be arranged into many configurations from compact to more spatially placed. This work imbues a sense of rhythm and static movement creating a sculptural dance.

ARTIST BIO: Jenny Herbert-Smith lives in Sydney completing her MFA (Sculpture) at National Art School in 2019. Herbert-Smith describes her art process as a form of dance as she responds to the material, mostly concrete and steel , through her movement in the making and the architectural space in which it forms.

19.   ‘Oboe Man’ by Roz Stampfli (Sydney)
19. ‘Oboe Man’ by Roz Stampfli (Sydney)

MATERIAL: Aluminium, wire and steel

SIZE: 199 x 66 x 55 (cm)

PRICE: $4,500

STATEMENT: Inspired by the long languid figures of artists before me and their haunting beauty, I created my Oboe Man. The Oboe expresses simplicity, melancholy and the gentle breeze by its pure beautiful sound. Hauntingly noble.

ARTIST BIO: A Sydney based sculptor who graduated in fine arts, majoring in sculpture and has studied with some high profile sculptors. She has been exhibiting now for many years in group shows and done some private commissions. Her works are in private collections both in Australia and Switzerland.

20.   ‘Seated Girl with Ponytail’ by Roz Stampfli (Sydney)
20. ‘Seated Girl with Ponytail’ by Roz Stampfli (Sydney)

MATERIAL: Aluminium and wire

SIZE: 90 x 75 x 8 (cm)

PRICE: SOLD

STATEMENT: My wire sculptures have developed over many years and were originally based on a series of ballet dancers. This is still the form and movement that I continue to explore today. It is the grace of the human form and the languid lines that continually challenge this material.

ARTIST BIO: A Sydney based sculptor who graduated in fine arts, majoring in sculpture and has studied with some high profile sculptors. She has been exhibiting now for many years in group shows and done some private commissions. Her works are in private collections both in Australia and Switzerland.

21.   ‘Turpentine construction 2’ by Will Maguire (Lochinvar)
21. ‘Turpentine construction 2’ by Will Maguire (Lochinvar)

MATERIAL: Hot forged steel and turpentine

SIZE: 21 x 104 x 36 (cm)

PRICE: $2,200

STATEMENT: Forged steel and cut timber superficially burnt together and weathered. The work is analogous to the unresolved tensions between notions of progress and respectful relations with the natural world.

ARTIST BIO: Hunter Valley based artist Will Maguire holds a BA Philosophy (with distinction) and a trade in both blacksmithing and fabrication. He combines extensive experience in making and design with critical and interrogative thinking to bring fresh eyes to traditional mediums.

22.   ‘Small Demonstration’ by Ian Scott (Nowra)
22. ‘Small Demonstration’ by Ian Scott (Nowra)

MATERIAL: Bronze

SIZE: 50 x 200 x 150 (cm)

PRICE: $20,000

STATEMENT: All demonstrations seem to be much the same, regardless of the cause or political persuasion. The true believers at the front with the less enthusiastic hangers-on at the back.

ARTIST BIO: Born 1944, brought up on a farm at Narromine. Worked as a mixed practice veterinarian for 43 years in Australia, UK and Canada. Began sculpture after retirement and completing a foundry course at Wollongong TAFE.

23.   ‘This Will Be’ by Catriona Pollard (Mosman)
23. ‘This Will Be’ by Catriona Pollard (Mosman)

MATERIAL: Steel

SIZE: 65 x 75 x 69 (cm)

PRICE: $1,200

STATEMENT: This Will Be uses tension between the material and applies steel as a line drawing and explores our will. The sculpture has circular and infinity element highlighting the duality of opposing forces coming together.

ARTIST BIO: Catriona Pollard has an established reputation as a unique sculptural artist using metals and organic material. With an intuitive minimal aesthetic, her abstract sculptures apply traditional basketry tensions and techniques to create forms that are a dance of positive and negative spaces.

24.   ‘Unexpected Joy’ by Catriona Pollard (Mosman)
24. ‘Unexpected Joy’ by Catriona Pollard (Mosman)

MATERIAL: Steel

SIZE: 100 x 85 x 65 (cm)

PRICE: $5,000

STATEMENT: Unexpected Joy applies steel as a line drawing to represent the experience of a joyful moment. This isn't about the extraordinary, but simple moments throughout our day - a smile, a leaf dancing in the breeze - and that's when joy unexpectedly tumbles through our senses.

ARTIST BIO: Catriona Pollard has an established reputation as a unique sculptural artist using metals and organic material. With an intuitive minimal aesthetic, her abstract sculptures apply traditional basketry tensions and techniques to create forms that are a dance of positive and negative spaces.

25.   ‘Infinity of Love’ by Catriona Pollard (Mosman)
25. ‘Infinity of Love’ by Catriona Pollard (Mosman)

MATERIAL: Steel

SIZE: 120 x 65 x 75 (cm)

PRICE: $5,000

STATEMENT: Infinity of Love was created using tension between the steel and using the material as a line drawing. The lines of material suggests to the viewer to see love as not only beautiful tension but something that it is infinite, limitless and endless.

ARTIST BIO: Catriona Pollard has an established reputation as a unique sculptural artist using metals and organic material. With an intuitive minimal aesthetic, her abstract sculptures apply traditional basketry tensions and techniques to create forms that are a dance of positive and negative spaces.

26.   ‘Blackbutt Gumnuts’ by Trenton Woolcott (Greystanes)
26. ‘Blackbutt Gumnuts’ by Trenton Woolcott (Greystanes)

MATERIAL: Timber - Eucalyptus pilularis

SIZE: 45 x 120 x 45 (cm)

PRICE: $3,400

STATEMENT: Carved from salvaged Blackbutt, (Eucalyptus pilularis) this woody follicle is normally 5-10mm in diameter, from a Blackbutt tree. Shaped mostly with a chainsaw before burning to darken the timber. The sculpture explores proportion.

ARTIST BIO: Moving to the Narrabri area in the NSW North West for the last few years led to the opportunity to try chainsaw carving and metal trades such as blacksmithing. I enjoy combining these two elements often in botanically inspired work.

27.   ‘Holey Soul’ by Jane Theau (Cremorne)
27. ‘Holey Soul’ by Jane Theau (Cremorne)

MATERIAL: Bronze, horsehair, copper

SIZE: 120 x 70 x 90 (cm)

PRICE: $14,000

STATEMENT: Holey Soul was inspired by the sculptures of Barbara Hepworth with their tactile voids, and the suggestion by philosopher Michel Serres that our soul is in our skin. This impossible creature, which has no mouth, eyes, ears or nose, is only skin. It was created to incite touch.

ARTIST BIO: I work with disparate materials, from massy bronze to delicate lace, and often animate the works I make through performance in collaboration with dancers, puppeteers and choreographers. I recently concluded doctoral research focussed on the fibre of horsehair, and intriguingly tactile fibre that I have paired with bronze sculpture.

28.   'Wave' by Michael Ferris (Mudgee)
28. 'Wave' by Michael Ferris (Mudgee)

MATERIAL: Copper

SIZE: 180 x 160 x 160 (cm)

PRICE: $12,000

STATEMENT: Enticing the viewer’s imagination using repetition in an organic form, I wanted to create the motion of a wave lapping onto the shore. This sculpture feels like it has grown and challenges the idea of a living structure.

ARTIST BIO: My work focuses on simple botanical form, challenging traditional methods to transform ordinary materials into something eye catching whilst revealing an unexpected form in a previously unseen way. I want my creations to look like they could have lived or grown somewhere.

29.   ‘On Rocky Ground’ by Amanda Harrison (Greenwich)
29. ‘On Rocky Ground’ by Amanda Harrison (Greenwich)

MATERIAL: Ceramic

SIZE: 28 x 40 x 18 (cm)

PRICE: SOLD

STATEMENT: The strength in character of this sculpture is evident in posture and texture, settled in an earthy, rocky landscape.

ARTIST BIO: After careers in film and graphics, Amanda now works from her Sydney studio, creating sculptures in ceramics and metal. She loves creating the human figure, looking for simplicity, joy, life and love in the form. Amanda has exhibited widely and won numerous prizes, including 2 acquisitive prizes in 2020.

30.   ‘Coral Queendom’ by Katherine Castillo Alferez (Manly)
30. ‘Coral Queendom’ by Katherine Castillo Alferez (Manly)

MATERIAL: Bronze on timber plinth

SIZE: 90 x 30 x 48 (cm)

PRICE: $ 30,000

STATEMENT: The power of knowing who we are is our crown.
By learning how to stand up for ourselves with the purpose of surviving and live together, just like any other ecosystem we know. However, neither the ocean nor the land knows distinction of race or colour, it all lives at once.

After I had the pleasure to work with an amazing black model at my studio. It gave me an insight to how powerful and extraordinary their skin is, and what it represents for them and for others. The ambiguity of their acceptance into society has been pondered for thousands of years, and still prevails as a matter of human rights. Edition 1/10

ARTIST BIO: Katherine loves to explore the abstract form prevalent in her surrealistic pieces. However, this is inspired by her fascination for figurative art (Colombian born). Established Manly Sculpture School in 2020. She has also has been awarded 1st place at Harbour exhibition Balmain, NSW.

Featured
31.   ‘Tender Hooks’ by Art chicks (Sydney)
31. ‘Tender Hooks’ by Art chicks (Sydney)

MATERIAL: Iron

SIZE: 40 x 40 x 40 (cm)

PRICE: $ 2,000

STATEMENT: My sculpture (Tender Hooks) is a beautiful new form from junk showing initiative to recycle waste into something new. The new shape of "Tender Hooks", is like doing a jigsaw puzzle. "Tender Hooks" is spray painted blue to give it a 'pop' for its new life as a Sculpture.

ARTIST BIO: “Tender Hooks” is a creation from iron hooks that once held train tracks down to move people around NSW. Iron is one of the common and versatile elements found on earth, and regularly it ends up in junk yards where I enjoy finding items I can repurpose.

32.   ‘Billy and the kid’ by Henryk Topolnicki (Dargan)
32. ‘Billy and the kid’ by Henryk Topolnicki (Dargan)

MATERIAL: Rusted mild steel, sandstone rock

SIZE: 85 x 150 x 75 (cm)

PRICE: $ 3,200 (can be sold separately - $2,400 for large goat and $800 for small goat)

STATEMENT: Channeling Pablo's goats perhaps?

ARTIST BIO: I am an artist developing works independently in response to private, public, gallery and competition commissions. This has been my occupation for the last 25 years. Over that period, public art became my main focus with many successful major projects. These days I am fully committed to private art practice.

33.   'Charlie the cheeky wren'  by Chris Anderson (Glenaroua)
33. 'Charlie the cheeky wren' by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 16 x 12 x 6 (cm)

PRICE: $900

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

34.   ‘Pod' by Alex Scheibner (Rylstone)
34. ‘Pod' by Alex Scheibner (Rylstone)

MATERIAL: Mild Steel

SIZE: 130 x 10 x 10 (cm)

PRICE: $180 each (2 for sale)

ARTIST BIO: Alex Scheibner trained as a blacksmith and mechanical fitter.

It was a natural progression to move towards sculpture where years of developing both his understanding of the nature of metals and his metalworking skills could take on such varied applications.

35.   ‘Poppy’ by Alex Scheibner (Rylstone)
35. ‘Poppy’ by Alex Scheibner (Rylstone)

MATERIAL: Mild Steel

SIZE: 150 x 45 x 45 (cm)

PRICE: $450

ARTIST BIO: Alex Scheibner trained as a blacksmith and mechanical fitter. It was a natural progression to move towards sculpture where years of developing both his understanding of the nature of metals and his metalworking skills could take on such varied applications.

36.   ‘The Critique’ by Stephen Hogan (Bathurst)
36. ‘The Critique’ by Stephen Hogan (Bathurst)

MATERIAL: 100% recycled steel

SIZE: 56 x 24 x 15 (cm)

PRICE: $ 4,200

STATEMENT: The critic stands and ponders.

ARTIST BIO: Where others just see scrap steel, Stephen Hogan sees beauty, form and shape. He creates pieces that respect and preserve the original but strives to give them new form, life and meaning in a modern context. Hogan works full time as a sculptor from his studio in Bathurst.

37.   ‘The Planets Align’ by Amanda Harrison (Greenwich)
37. ‘The Planets Align’ by Amanda Harrison (Greenwich)

MATERIAL: Ceramic

SIZE: 60 x 40 x 30 (cm)

PRICE: SOLD

ARTIST BIO: After careers in film and graphics, Amanda now works from her Sydney studio, creating sculptures in ceramics and metal. She loves creating the human figure, looking for simplicity, joy, life and love in the form. Amanda has exhibited widely and won numerous prizes, including 2 acquisitive prizes in 2020.

38.   ‘Glimmer (Lisa McArthur Edwards)’ by The Conduit Collaboration (Lisarow)
38. ‘Glimmer (Lisa McArthur Edwards)’ by The Conduit Collaboration (Lisarow)

MATERIAL: Wire lampshade frame, reinforced resin, solar lights

SIZE: 50 x 50 x 50 (cm)

PRICE: SOLD

ARTIST BIO: The Conduit Collaboration is 3 independent works united by illumination. These artworks are individual statements but also capture the ethereal quality of connection to another reality.

39.   ‘Fuschia (Emilia Krumm)’ by The Conduit Collaboration (Lisarow)
39. ‘Fuschia (Emilia Krumm)’ by The Conduit Collaboration (Lisarow)

MATERIAL: Wire lampshade frame, reinforced resin, solar lights

SIZE: 50 x 50 x 50 (cm)

PRICE: SOLD

ARTIST BIO: The Conduit Collaboration is 3 independent works united by illumination. These artworks are individual statements but also capture the ethereal quality of connection to another reality.

40.   ‘Shedding Light on Nature (Therese Wilkins)’ by The Conduit Collaboration (Lisarow)
40. ‘Shedding Light on Nature (Therese Wilkins)’ by The Conduit Collaboration (Lisarow)

MATERIAL: Wire lampshade frame, lace, solar lights

SIZE: 50 x 50 x 50 (cm)

PRICE: $ 250

ARTIST BIO: The Conduit Collaboration is 3 independent works united by illumination. These artworks are individual statements but also capture the ethereal quality of connection to another reality.

41.   ‘Enchante’ by Amanda Harrison (Greenwich)
41. ‘Enchante’ by Amanda Harrison (Greenwich)

MATERIAL: Stainless steel

SIZE: 45 x 15 x 15 (cm)

PRICE: SOLD

ARTIST BIO: After careers in film and graphics, Amanda now works from her Sydney studio, creating sculptures in ceramics and metal. She loves creating the human figure, looking for simplicity, joy, life and love in the form. Amanda has exhibited widely and won numerous prizes, including 2 acquisitive prizes in 2020.

42.   ‘Shielded IV’ by Stephen King (Walcha)
42. ‘Shielded IV’ by Stephen King (Walcha)

MATERIAL: Ironbark

SIZE: 34 x 21 x 20 (cm)

PRICE: $ 5,000

STATEMENT: Shielded IV is from a series of work responding to the pandemic.

ARTIST BIO: Graduated SCA - Visual Arts in 1979. Initiated Walcha’s Open Air Gallery in 1996. Represented Australia in the Inami Wood Sculpture Symposium, Japan, 2007. Exhibited in SXS Bondi, Cottesloe, Aarhus, Denmark - 29 times. 2013 Winner SXS Bondi. 2020 Winner of Sculpture in the Vineyards. 2020 Winner of SIG.

43.   ‘TapTapCat’ by Vivienne Lowe (Lane Cove)
43. ‘TapTapCat’ by Vivienne Lowe (Lane Cove)

MATERIAL: Painted steel & aluminium

SIZE: 205 x 84 x 65 (cm)

PRICE: $ 6,800

STATEMENT: “A black cat sitting on a white cat’s tail” – this drumming riff is behind this comical, interactive musical sculpture. Mao represents an oppressor: a racist, bigot or bully on a national or individual level, and Meow! is the oppressed.

ARTIST BIO: Vivienne Lowe’s work exhibits themes such as character, love, memories and connections – things we know and feel but can’t necessarily touch. Her sculptural explorations of how people connect with one another and their environment echoes from a background in landscape architecture which complements her public art works.

44.   ‘Small Barb Wire Dragonfly’ by Ian Barker (Gulgong)
44. ‘Small Barb Wire Dragonfly’ by Ian Barker (Gulgong)

MATERIAL: Reclaimed barbed wire

SIZE: 32 x 52 x 7 (cm)

PRICE: SOLD

STATEMENT: This beautiful barb wire dragonfly is made from reclaimed barb wire from a bush fire that went through our area a few years ago. Ian has made something beautiful out this terrible time. Each dragonfly is uniquely hand crafted and twisted.

ARTIST BIO: Ian is a local artist who works with reclaimed Barb wire. He twists it into handmade designs to form works of beauty from something that would have been discarded.

45.   ‘Medium Barb Wire Dragonfly x3’ by Ian Barker (Gulgong)
45. ‘Medium Barb Wire Dragonfly x3’ by Ian Barker (Gulgong)

MATERIAL: Reclaimed barbed wire

SIZE: 43 x 72 x 7 (cm)

PRICE: SOLD

STATEMENT: This beautiful barb wire dragonfly is made from reclaimed barb wire from a bush fire that went through our area a few years ago. Ian has made something beautiful out this terrible time. Each dragonfly is uniquely hand crafted and twisted. There are 3 for sale.

ARTIST BIO: Ian is a local artist who works with reclaimed Barb wire. He twists it into handmade designs to form works of beauty from something that would have been discarded.

46.  ‘Large Barb Wire Dragonfly’ by Ian Barker (Gulgong)
46. ‘Large Barb Wire Dragonfly’ by Ian Barker (Gulgong)

MATERIAL: Reclaimed barbed wire

SIZE: 42 x 112 x 9 (cm)

PRICE: $350

STATEMENT: This beautiful barb wire dragonfly is made from reclaimed barb wire from a bush fire that went through our area a few years ago. Ian has made something beautiful out this terrible time. Each dragonfly is uniquely hand crafted and twisted. There are 3 for sale.

ARTIST BIO: Ian is a local artist who works with reclaimed Barb wire. He twists it into handmade designs to form works of beauty from something that would have been discarded.

47.   ‘Reclaimed Barb Wire Flower Wreath’ by Ian Barker (Gulgong)
47. ‘Reclaimed Barb Wire Flower Wreath’ by Ian Barker (Gulgong)

MATERIAL: Reclaimed barbed wire and tin

SIZE: 50 x 45 x 6 (cm)

PRICE: SOLD

STATEMENT: This wreath is twisted out of reclaimed barb wire with flowers fashioned from tin added. The wire will continue to rust to add character and charm, while the tin will take on a lovely patina about it over time.

ARTIST BIO: Ian is a local artist who works with reclaimed Barb wire. He twists it into handmade designs to form works of beauty from something that would have been discarded.

48.   ‘Barb Wire Chain of Hearts’ by Ian Barker (Gulgong)
48. ‘Barb Wire Chain of Hearts’ by Ian Barker (Gulgong)

MATERIAL: Reclaimed barbed wire

SIZE: 79 x 33 x 2 (cm)

PRICE: SOLD

STATEMENT: This beautiful piece is made from reclaimed barb wire; twisted and joined to form 3 hearts. Each heart is made up of 2 hearts, joined by twisted wire to add more intricate detail to the piece. Each heart is unique. Each piece will continue to rust to add character and charm over time.

ARTIST BIO: Ian is a local artist who works with reclaimed Barb wire. He twists it into handmade designs to form works of beauty from something that would have been discarded.

49.   ‘Carbon fibre IIII’ by Liz Mayberry (Mudgee)
49. ‘Carbon fibre IIII’ by Liz Mayberry (Mudgee)

MATERIAL: Garden plants

SIZE: 130 x 200 x 25 (cm)

PRICE: SOLD

STATEMENT: A ride for the 21st Century. 7 plants speed, gender non-specific, fully bio-degradable and complies with stay-at-home orders. Made with 7 garden plants: Grapevine, Hazel wood, Star Jasmine vine, Banana fibre, Wonga Wonga vine, Callistermon branch, Palm leaf & infloresence, Crows Ash seed pod

ARTIST BIO: Finding materials in nature and creating either a practical object or a thing of beauty is a passion of Liz Mayberry. She finds inspiration to weave or transform materials that would otherwise just lie on the ground and eventually decay back into the earth.

50.   ‘‘and thence we came forth to see again the stars’ by Will Maguire (Lochinvar)
50. ‘‘and thence we came forth to see again the stars’ by Will Maguire (Lochinvar)

MATERIAL: Hot forged steel, Sydney basin sandstone

SIZE: 200 x 50 x 50 (cm)

PRICE: SOLD

STATEMENT: 700 years after Dante Alighieri’s death. In Inferno Dante and Virgil climb up out of hell as humanity also fitfully emerges from a pandemic, not free of struggle but in view of the comfort and mystery of the stars.

ARTIST BIO: Hunter Valley based artist Will Maguire holds a BA Philosophy (with distinction) and a trade in both blacksmithing and fabrication. He combines extensive experience in making and design with critical and interrogative thinking to bring fresh eyes to traditional mediums.

51.   ‘Sweet Cheeky Pear x3’ by Birgit Heinemann (Brighton-Le-Sands)
51. ‘Sweet Cheeky Pear x3’ by Birgit Heinemann (Brighton-Le-Sands)

MATERIAL: Mixed media pears (metal, jewelry, porcelain)

SIZE: 22 x 15 x 15 (cm)

PRICE: SOLD

STATEMENT: The shape of the pear represents the female form; it is a symbol of femininity. Why not give ‘her’ a cheeky bodice?!

ARTIST BIO: I was born in Germany. After studying architecture and health facility planning I then went on to work in different departments for Public Health and Urban Development. Open to other directions and careers my path brought me to Australia. Here I continued and deepened my love for art.

52.   ‘What If It Was Your Children They Came To Steal’ by Stephen Hogan (Bathurst)
52. ‘What If It Was Your Children They Came To Steal’ by Stephen Hogan (Bathurst)

MATERIAL: 100% Recycled Steel

SIZE: 57 x 24 x 1 (cm)

PRICE: $ 3,800

STATEMENT: The title says it all.

ARTIST BIO: Where others just see scrap steel, Stephen Hogan sees beauty, form and shape. He creates pieces that respect and preserve the original but strives to give them new form, life and meaning in a modern context. Hogan works full time as a sculptor from his studio in Bathurst.

53.   ‘Landed’ by Nicole O'Regan (Sodwalls)
53. ‘Landed’ by Nicole O'Regan (Sodwalls)

MATERIAL: Green slate and wire

SIZE: 25 x 46 x 21 (cm)

PRICE: SOLD

STATEMENT: A figurative sculpture that captures the form in transition, exploring balance and movement. Created by twisting galvanised wire around the contours of the slate, illustrating an expression of determination and elegance.

ARTIST BIO: Nicole has been working as an art fabricator for the last 8 years. She’s also been exhibiting her own work including Defiance gallery miniature 6x6x6 show, Sculpture at Sawmillers, Bathurst Regional Gallery, Lake Light Jindabyne, Sculpture for Clyde Batemans bay, Orange Regional Gallery & has continual works at Gang Gang Gallery.

54.   ‘Tip Toe’ by Raeann Shields (South Brisbane)
54. ‘Tip Toe’ by Raeann Shields (South Brisbane)

MATERIAL: Bronze

SIZE: 70 x 30 x 35 (cm)

PRICE: $ 6,500

STATEMENT: "Tip Toe" aims to create a feeling of carefree, light and breezy movement through the Australian bush. Stepping out with her own rhythm and flow.

ARTIST BIO: Now retired from a fulfilling career as a Paediatric physiotherapist I have turned my attention to the equally creative field of clay. I enjoy discovering opportunities for expression that this medium allows. Despite being visually impaired I love to find stylised ways of creating when supported in this learning environment.

55.   ‘The Conversation’ by Mela Cooke (Indooroopilly)
55. ‘The Conversation’ by Mela Cooke (Indooroopilly)

MATERIAL: Bronze

SIZE: 70 x 30 x 35 (cm)

PRICE: SOLD

STATEMENT: The Conversation. Laps completed in the quiet of the cool morning. Time to appreciate the mellow feeling of effort expended, goals achieved and a conversation with a dear friend.

ARTIST BIO: I work predominantly in bronze as I find sculpting in clay enables me to get great definition & subtlety. I worked as a physio for many years and have a great appreciation of the human body. It is a wonderful challenge to instil character and soul into my sculptures.

56.   ‘Murray Cod’ by Stuart Taylor (Deniliquin)
56. ‘Murray Cod’ by Stuart Taylor (Deniliquin)

MATERIAL: Recycled scrap steel

SIZE: 150 x 70 x 180 (cm)

PRICE: $ 6,500

STATEMENT: I love making these big fish sculptures. This cod is about to strike so the mouth is wide open. My challenge is to make the fish appear to be floating with minimal support.

ARTIST BIO: Stuart Taylor is a scrap metal artist based in Deniliquin, NSW. He works with material gathered from farms and scrap yards in his local area. Many of his sculptures can be viewed on public display around the Riverina and interstate. He has been working as a full time sculptor for 10 years.

57.   ‘In Balance’ by Victoria Monk (Darlington)
57. ‘In Balance’ by Victoria Monk (Darlington)

MATERIAL: Recycled steel

SIZE: 22 x 16 x 11 (cm)

PRICE: $ 1,200

STATEMENT: In Balance as the title and sculpture suggests is a state of bodily equilibrium or equipoise, mental steadiness or emotional stability. Something we all aspire to in our lives.

ARTIST BIO: Victoria Monk was awarded first prize for sculpture Northern Beaches Art Prize 2018, joint prize 2017, 2018 Bowral BDAS Gallery, Hunters Hill Art 2015 and Amnesty International 2001. Her work has been selected for various exhibitions in Sydney and regional New South Wales and have been sold to private collectors.

58.   ‘Brolgas’ by Roshelle McKillop (Girilambone)
58. ‘Brolgas’ by Roshelle McKillop (Girilambone)

MATERIAL: Galvanized chicken wire copper wire

SIZE: 150 x 60 x 40 (cm)

PRICE: SOLD

STATEMENT: A familiar site after the drought breaking rain pairing up for spring on the western plains water courses.

ARTIST BIO: Roshelle is a self-taught artist and sculptor who enjoys creating animals and capturing their individual personality, using recycled materials and galvanized wire which is ideal for outdoor sculpture.

59.   ‘Rural Scene’ by Elizabeth Blackmore (Broken Hill)
59. ‘Rural Scene’ by Elizabeth Blackmore (Broken Hill)

MATERIAL: Steel, canvas and acrylic house paint

SIZE: 212 x 91 x 86 (cm)

PRICE: $ 1,500

STATEMENT: 'A beautiful garden is a work of heart'. The painting is on a steel canvas using acrylic house paint and oil paint. It was sprayed with lacquer, by the local automobile car sprayer and framed up by the local Engineering company. The wagon wheel is coated with Marine varnish.

ARTIST BIO: While teaching in Melbourne, I attended an art group and was inspired to enter a sculpture competition, which I won. Now retired, and living in Broken Hill, I have immersed myself in the Art World here, and won a section of the Annual Equinox Art Competition.

60.   ‘Bailed Up Ballerina’ by Ross Rosco Philip (Berowra)
60. ‘Bailed Up Ballerina’ by Ross Rosco Philip (Berowra)

MATERIAL: Pointe shoes, barbed wire, tin, paint, hay

SIZE: 180 x 170 x 70 (cm)

PRICE: $ 2,300

STATEMENT: Through 'Bailed Up Ballerina' I wanted to convey reimagined performative narratives of the cocooned journey of a dancer’s pilgrimage – a platform for inherent viewing of the manifestation of becoming reborn, the essence of regeneration centring on the ideology of metaphorical possibilities. A nod to Tom Roberts.

ARTIST BIO: 2019 - 2004: Solo Exhibition: Walllarobba Arts and Cultural Centre, Sydney Winner Most Outstanding Local Artist Award, Solo Exhibition: Burnt, Buried and Beautiful, Dank Street Sydney, Solo Show Prima Assoluta. 2003-1986: Sulman Prize Exhibitor, NSW Art Gallery, Sculpture by the Sea & Sea, Greenpeace Art prize, Greenroom Award.

Featured
61.   ‘Discord in Fairyland from Shakespeare's "A Midsummer Night's Dream"’ by Pauline Sedgwick (Mosman)
61. ‘Discord in Fairyland from Shakespeare's "A Midsummer Night's Dream"’ by Pauline Sedgwick (Mosman)

MATERIAL: High Fired Glazed Terracotta

SIZE: 36 x 48 x 28 (cm)

PRICE: $600

STATEMENT: 'A Midsummer Night's Dream' with its gentle satire of human foibles and self- delusions is one of Shakespeare's most loved plays. Here I have captured the fantasy and magic of the meeting between Oberon King of the Fairies and Queen Titania and their quarrel over a beautiful young page boy.

ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.

62.   ‘Puck the mischievous fairy messanger’ by Pauline Sedgwick (Mosman)
62. ‘Puck the mischievous fairy messanger’ by Pauline Sedgwick (Mosman)

MATERIAL: High Fired Glazed Terracotta

SIZE: 32 x 20 x 22 (cm)

PRICE: $300

STATEMENT: Puck is also known as Robin Goodfellow in Shakespeare's "A Midsummer's Night's Dream", a mischievous spirit traditionally blamed for odd occurrences and losses. In Shakespeare's time many uneducated people still blamed him for minor mishaps.

ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.

63.   ‘Peasblossom’ by Pauline Sedgwick (Mosman)
63. ‘Peasblossom’ by Pauline Sedgwick (Mosman)

MATERIAL: High Fired Glazed Terracotta

SIZE: 30 x 18 x 18 (cm)

PRICE: $250

STATEMENT: Peasblossom is the pert little handmaid of Titania Queen of the Fairies in Shakespeare's "A Midsummer Night's Dream". She exudes innocent enthusiasm.

ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.

64.   ‘Cobweb and her Cat’ by Pauline Sedgwick (Mosman)
64. ‘Cobweb and her Cat’ by Pauline Sedgwick (Mosman)

MATERIAL: High Fired Glazed Terracotta

SIZE: 34 x 12 x 18 (cm)

PRICE: $250

STATEMENT: A young girl who is a handmaid to Titania the Queen of the Fairies in Shakespeare's "A Midsummer's Night's Dream". Cobweb is a deliberate reference to Greta Thunburg and our responsibility to cherish the beauty and innocence of nature.

ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.

65.   ‘In Summary Your Honour...’ by Pauline Sedgwick (Mosman)
65. ‘In Summary Your Honour...’ by Pauline Sedgwick (Mosman)

MATERIAL: High Fired Glazed Terracotta

SIZE: 33 x 25 x 23 (cm)

PRICE: $750

STATEMENT: This assertive barrister is in High Court robes and is the embodiment of self-confident entitlement as he sums up his case. I made this splendidly old school lawyer with my tongue in my cheek! I imagine many lawyers will recognise the type.

ARTIST BIO: My practice is influenced by 1970s and 80s participation in SA Women's Art Movement and Funk Ceramics, and the recent, feminist driven, recognition of women's traditional art forms. I have exhibited nationally and was an exhibiting member of the Sculpture Society of Australia.

66.   ‘With Piranha Teeth, I've Been Dreaming of You’ by Claire Tennant (Marrickville)
66. ‘With Piranha Teeth, I've Been Dreaming of You’ by Claire Tennant (Marrickville)

MATERIAL: Cold cast brass and aluminium

SIZE: 50 x 40 x 20 (cm)

PRICE: $2,000

STATEMENT: Capturing the ephemeral moment of lust between two lovers.

ARTIST BIO: Claire Tennant is a Sydney based sculptor, specialising in mould making and casting; and in particular life casting. She runs her own workshop in Sydney where she is one of Australia's only artistic mould makers for hire, as well as creating her own works.

67.   ‘Don't let me will give out before my body fails’ by Claire Tennant (Marrickville)
67. ‘Don't let me will give out before my body fails’ by Claire Tennant (Marrickville)

MATERIAL: Cold cast aluminium

SIZE: 75 x 37 x 20 (cm)

PRICE: $2,750

STATEMENT: Featuring the art of shibari rope bondage, this piece speaks to the battle of submission between the body and the mind.

ARTIST BIO: Claire Tennant is a Sydney based sculptor, specialising in mould making and casting; and in particular life casting. She runs her own workshop in Sydney where she is one of Australia's only artistic mould makers for hire, as well as creating her own works.

68.   ‘There is nothing to fear and nothing to doubt’ by Claire Tennant (Marrickville)
68. ‘There is nothing to fear and nothing to doubt’ by Claire Tennant (Marrickville)

MATERIAL: Cold cast aluminium

SIZE: 66 x 40 x 20 (cm)

PRICE: $2,475

STATEMENT: Featuring the Japanese art of shibari rope bondage, this piece evokes the total trust and immersion into a state of mind where time and space cease to matter.

ARTIST BIO: Claire Tennant is a Sydney based sculptor, specialising in mould making and casting; and in particular life casting. She runs her own workshop in Sydney where she is one of Australia's only artistic mould makers for hire, as well as creating her own works.

69.   ‘The Lovers’ by Nigel White (Mudgee)
69. ‘The Lovers’ by Nigel White (Mudgee)

MATERIAL: Redgum & Oregon

SIZE: 60 x 40 x 40 (cm)

PRICE: SOLD

ARTIST BIO: I have been trying to make art for more than 40 years. Sometimes it's a battle, other times it's not. The best thing is trying.

70.  ‘The Mute Swan’ by Jeffrey Hallinan (Dubbo)
70. ‘The Mute Swan’ by Jeffrey Hallinan (Dubbo)

MATERIAL: Found Metal Items

SIZE: 40 x 20 x 25 (cm)

PRICE: SOLD

STATEMENT: A truly mute swan.

ARTIST BIO: Based in Dubbo NSW Jeff Hallinan has been perfecting his welding craft for the past 45 years. Collecting steel in all shapes and forms for about the same length of time and enjoys giving previously useful items a new creative purpose or mixing piece up to create something new.

71.   ‘Egret in flight’ by Kenneth Smith (Ravensdale)
71. ‘Egret in flight’ by Kenneth Smith (Ravensdale)

MATERIAL: Rio and recycled steel

SIZE: 195 x 184 x 132 (cm)

PRICE: SOLD

STATEMENT: I enjoy making bird shapes using recycled metal. I hope others enjoy this too.

ARTIST BIO: I began welding steel at an early age. I enjoy creating artworks by fusing together recycled metal objects and steel. I hope others will enjoy them too.

72.   ‘Single Flower Silver x5’ by Tobias Bennett (Yanco)
72. ‘Single Flower Silver x5’ by Tobias Bennett (Yanco)

MATERIAL: Steel

SIZE: 120 x 30 x 30 (cm)

PRICE: SOLD

ARTIST BIO: Tobias Bennett creates a wide variety of sculpture predominantly from steel. Tobias finds infinite inspiration in nature and enjoys exploring both figurative and abstract forms.

73.  ‘White Agapanthus x4’ by Jim Hamilton (Cootamundra)
73. ‘White Agapanthus x4’ by Jim Hamilton (Cootamundra)

MATERIAL: Steel

SIZE: 135 x 24 x 24 (cm)

PRICE: $180 each (3 for sale)

STATEMENT: STATEMENT: The agapanthus is a beautiful flower, in some places classified as a weed. Definition of a weed - “A wild plant growing where it is not wanted” but my steel Aggies don’t grow, die or spread, and they can grow anywhere you want them…perfect!

74.   ‘Blue Agapanthus x6’ by Jim Hamilton (Cootamundra)
74. ‘Blue Agapanthus x6’ by Jim Hamilton (Cootamundra)

MATERIAL: Steel

SIZE: 135 x 24 x 24 (cm)

PRICE: $180 each (6 for sale)

STATEMENT: STATEMENT: The agapanthus is a beautiful flower, in some places classified as a weed. Definition of a weed - “A wild plant growing where it is not wanted” but my steel Aggies don’t grow, die or spread, and they can grow anywhere you want them…perfect!

75.   ‘21 Environmental Refugees in C Sharp (sm x5)’ by Basilios Papaioannou (Gladesville)
75. ‘21 Environmental Refugees in C Sharp (sm x5)’ by Basilios Papaioannou (Gladesville)

MATERIAL: Repurposed materials

SIZE: 70 x 50 x 40 (cm)

PRICE: $350 each (5 for sale)

STATEMENT: The Ibis has adapted to urban living in order to survive. The repurposed materials used, have also been adapted to create 21 Environmental Refugees in C Sharp, as they too have adapted but would like to return to their natural environment.

ARTIST BIO: I find beauty and inspiration from nature and from local/global climate issues that are affecting us today. My medium is repurposed found objects; while I use scale, mass, and humour to stimulate the viewer through not only thought but physical interaction and play.

76.   ‘21 Environmental Refugees in C Sharp (med x8)’ by Basilios Papaioannou (Gladesville)
76. ‘21 Environmental Refugees in C Sharp (med x8)’ by Basilios Papaioannou (Gladesville)

MATERIAL: Repurposed materials

SIZE: 70 x 50 x 40 (cm)

PRICE: $500 each (8 for sale)

STATEMENT: The Ibis has adapted to urban living in order to survive. The repurposed materials used, have also been adapted to create 21 Environmental Refugees in C Sharp, as they too have adapted but would like to return to their natural environment.

ARTIST BIO: I find beauty and inspiration from nature and from local/global climate issues that are affecting us today. My medium is repurposed found objects; while I use scale, mass, and humour to stimulate the viewer through not only thought but physical interaction and play.

77.   ‘21 Environmental Refugees in C Sharp (lg x8)’ by Basilios Papaioannou (Gladesville)
77. ‘21 Environmental Refugees in C Sharp (lg x8)’ by Basilios Papaioannou (Gladesville)

MATERIAL: Repurposed materials

SIZE: 70 x 50 x 40 (cm)

PRICE: $750 each (8 for sale)

STATEMENT: The Ibis has adapted to urban living in order to survive. The repurposed materials used, have also been adapted to create 21 Environmental Refugees in C Sharp, as they too have adapted but would like to return to their natural environment.

ARTIST BIO: I find beauty and inspiration from nature and from local/global climate issues that are affecting us today. My medium is repurposed found objects; while I use scale, mass, and humour to stimulate the viewer through not only thought but physical interaction and play.

78.   ‘Turtle’ by Tarisse King (Hastings)
78. ‘Turtle’ by Tarisse King (Hastings)

MATERIAL: Steel

SIZE: 50 x 220 x 230 (cm)

PRICE: SOLD

STATEMENT: With this sculpture Tarisse wanted to translate her ‘Turtle' paintings & totem stories into a 3D object. The choice to use metal & rust is a reflection on the strength & longevity of the Australian Indigenous culture and the stories passed down over the centuries.

ARTIST BIO: Tarisse King was born on September 4th 1986 in Adelaide South Australia. She is the daughter of renowned influential indigenous artist, the late William King Jungala. The tribe from which she derives is the Gurindji. Now in New Zealand, as a mother of 5 Tarisse is a full time artist.

79.   ‘Ahead’ by Harrie Fasher (Portland)
79. ‘Ahead’ by Harrie Fasher (Portland)

MATERIAL: Steel

SIZE: 183 x 203 x 230 (cm)

PRICE: SOLD

STATEMENT: “Ahead” is our guardian. She was intended to be the head for “Transition” the largest work I have built to date; however it was too large, meaning the finished sculpture would not fit within the confines of the studio roof! Ahead became a work on its own right… ‘we were not behind but ahead!’. And Transition went on to win Sculpture by the Sea in Cottesloe WA.

ARTIST BIO: Artist represented by King Street Gallery on William.

80.   ‘Cudgegong Guardian’ by Jeff Stewart (Alstonville)
80. ‘Cudgegong Guardian’ by Jeff Stewart (Alstonville)

MATERIAL: Wood, steel and rubber

SIZE: 1200 x 2500 x 2500 (cm)

PRICE: SOLD

STATEMENT: Fashioned from fire and earth, the "Cudgegong Guardian" stands ready to protect his river. Like a Steampunk Centurion Warrior and the first son of Mother Nature, the scars of many environmental battles have created his mutant turtle form.

ARTIST BIO: Jeff Stewart has been a periodic entrant in regional art and sculptural exhibitions for most of his life. The most recent being awarded the "Coraki Art Prize 2018" in Sculpture. Now in his mid sixties his style continues to evolve and provoke wonderment.

81.  ‘Untitled Number 9’ by Rodney Klajman (Blaxland)
81. ‘Untitled Number 9’ by Rodney Klajman (Blaxland)

MATERIAL: Hebel

SIZE: 57 x 20 x 20 (cm)

PRICE: SOLD

STATEMENT: The inspiration for this design is based on a unique group of townhouses within my area, adding extra geometric shapes for a continually flowing piece.

ARTIST BIO: Rodney Klajman has lived in the Blue Mountains since 1998, and works in the mediums of wood and hebel. His ideas expanded from earlier pieces of completed works often taken from surrounding structures and objects, combining flowing curves and inspired by tattoo art.

82.   ‘Untitled Number 10’ by Rodney Klajman (Blaxland)
82. ‘Untitled Number 10’ by Rodney Klajman (Blaxland)

MATERIAL: Hebel

SIZE: 20 x 57 x 10 (cm)

PRICE: SOLD

STATEMENT: The inspiration for this idea is a cartoon stylised version of a gene sequence.

ARTIST BIO: Rodney Klajman has lived in the Blue Mountains since 1998, and works in the mediums of wood and hebel. His ideas expanded from earlier pieces of completed works often taken from surrounding structures and objects, combining flowing curves and inspired by tattoo art.

83.   ‘Grotesque Number 2’ by Rodney Klajman (Blaxland)
83. ‘Grotesque Number 2’ by Rodney Klajman (Blaxland)

MATERIAL: Hebel

SIZE: 60 x 20 x 20 (cm)

PRICE: SOLD

STATEMENT: When creating this Grotesque I started from the corner of the block to give the impression of a very angular nose, also to mimic a look of intensity for the eyes and eyebrows.

ARTIST BIO: Rodney Klajman has lived in the Blue Mountains since 1998, and works in the mediums of wood and hebel. His ideas expanded from earlier pieces of completed works often taken from surrounding structures and objects, combining flowing curves and inspired by tattoo art.

84.   ‘Escargot’ by Stephen Hogan (Bathurst)
84. ‘Escargot’ by Stephen Hogan (Bathurst)

MATERIAL: Recycled steel

SIZE: 80 x 55 x 55 (cm)

PRICE: $4,800

STATEMENT: Speed is relative.

ARTIST BIO: Where others just see scrap steel, Stephen Hogan sees beauty, form and shape. He creates pieces that respect and preserve the original but strives to give them new form, life and meaning in a modern context. Hogan works full time as a sculptor from his studio in Bathurst.

85.  ‘The Chatters’ by François Jaggi (Armidale)
85. ‘The Chatters’ by François Jaggi (Armidale)

MATERIAL: Corten Steel, stainless steel 316 grade

SIZE: 400 x 120 x 120 (cm)

PRICE: $3,800

STATEMENT: The Chatters is an observation of people coming together, sharing stories and experiences. It highlights the importance of the human interaction. The chance to socialise and express opinions, particularly in times of hardship, draws me to the relevance this work.

ARTIST BIO: After studying at the Geneva School of Arts, I worked across Switzerland for Cartier and Rolex as a jewellery designer. I then moved to Australia where I found sculpture to be an exciting venture with limitless possibilities. I exhibit my works in Australia & Internationally for the corporate and private buyers.

86.  ‘Cube Formation’ by Morgan Shimeld (Katoomba)
86. ‘Cube Formation’ by Morgan Shimeld (Katoomba)

MATERIAL: Steel, powder coated

SIZE: 90 x 480 x 150 (cm)

PRICE: $10,000

STATEMENT: Cube Formation references both the built and natural environments. Mimicking patterns in nature, abstracted into a series of straight edged forms reminiscent of urban growth.

ARTIST BIO: The work of Morgan Shimeld, is primarily concerned with the complex arrangement of abstracted minimalist forms. He works intuitively, striving to find a natural sense of balance, strength, and elegance in his work. His practice is informed by the art movements of Minimalism, Formalism and Geometric Abstraction.

87.   ‘Embryonic’ by Micha Nussinov (Paddington)
87. ‘Embryonic’ by Micha Nussinov (Paddington)

MATERIAL: Wood

SIZE: 46 x 46 x 27 (cm)

PRICE: $2,950

STATEMENT: The local council tree lopping gifts me sections of unwanted timber, that encapsulate possibilities. Carved and about to roll away, its energy held within the bark and timber fibres I carve, chisel and rasp, a protected world within.

ARTIST BIO: Graduated Diploma in Film Technique London, worked as Director Cinematographer of conceptual films. Received many prizes and acknowledgments for sculpture through Sculptural Society. As a multi-disciplinary artist my creativity is linked through a maze of associations. I do not draw an idea and follow the line, but let things evolve.

88.   ‘Cocoon’ by Michael Ferris (Mudgee)
88. ‘Cocoon’ by Michael Ferris (Mudgee)

MATERIAL: Copper

SIZE: 250 x 90 x 90 (cm)

PRICE: SOLD

STATEMENT: Using the concept of a cocoon, this piece is ready to burst into life. I wanted to metamorphic the materials used- from reclaimed copper into new life and mirror that of a caterpillar cocooning itself ready to bloom.

ARTIST BIO: My work focuses on simple botanical form, challenging traditional methods to transform ordinary materials into something eye catching whilst revealing an unexpected form in a previously unseen way. I want my creations to look like they could have lived or grown somewhere.

89.  ‘REOPENING’ by Kenneth Hutchinson (Cowra)
89. ‘REOPENING’ by Kenneth Hutchinson (Cowra)

MATERIAL: Carra marble and Eugowra black granite base.

SIZE: 170 x 40 x 17 (cm)

PRICE: $15,000

STATEMENT: There is a crack in everything and that’s where the light gets in” - Leonard Cohen. We are on the verge of REOPENING our lives and society.

ARTIST BIO: Central West artist specializing in private and public commission. Major public works, Bathurst Hospital, Sculpture in the Scrub, Maroochydore Council, Japanese Garden Cowra, Ashfield Council, Mudgee Council, Warwick Council Qld, Darbyshire Eco Centre Wirksworth U.K, Represented in the John and Elizabeth Baker collection on three occasions. Numerous private commissions

90.  ‘Janka’ by Ludwig Mlcek (Cox Creek)
90. ‘Janka’ by Ludwig Mlcek (Cox Creek)

MATERIAL: Steel, coreboard, high density EPS, polymer render, paint.

SIZE: 250 x 60 x 50 (cm)

PRICE: $10,000

STATEMENT: Human figure has always been my favourite subject. In any shape or form, from abstract to classical and in any material.

ARTIST BIO: Ludwig is a Czech born sculptor participating in sculpture symposiums in Europe and exhibiting in Australia regularly. He's been a finalist at SXS Bondi, University of Western Sydney Sculpture Award, Scenic World, Yering Station Sculpture Prize and many more. Winner of Hunters Hill sculpture Prize and received Allens Arthur Robinson Scholarship 2007.

Featured
91.   ‘75.150-88°’ by Mark Booth (Merriwa)
91. ‘75.150-88°’ by Mark Booth (Merriwa)

MATERIAL: PVC pipe, nylon screws, low sheen acrylic paint

SIZE: 60 x 215 x 100 (cm)

PRICE: $8,750

STATEMENT: The sinuous form and camouflaged skin of 75.150-88° obliquely references nature. However, its objectification in an exhibition context renders it completely artificial, highlighting the juxtaposition of imitation and the organic and disguising it, paradoxically, in a conspicuous manner.

ARTIST BIO: Mark has a Masters degree from UNSW. He has exhibited at Bathurst Regional Art Gallery and Hazelhurst Regional Gallery. He won the Major Award at Sculpture at Scenic World in 2017, has received NSW Artists’ Grants, and undertaken residences at Sydney Olympic Park and Phasmid Studios in Berlin.

92.   ‘Inverse relationships x2’ by Jayne Blake (Mudgee)
92. ‘Inverse relationships x2’ by Jayne Blake (Mudgee)

MATERIAL: Wood, paint

SIZE: 88 x 80 x 4 (cm)

PRICE: $600 each (2 for sale - top work already sold)

STATEMENT: This work plays with opposite colour and movement across two panels. The inverse colour relationship changes with cast shadows viewed from different standpoints.

ARTIST BIO: Jayne Blake graduated in 2004 with a Bachelor of Visual Art and Graphic Design. She has since worked overseas and in Australia as a designer, as well as becoming a visual art teacher. Jayne is based in Mudgee and is currently investigating unexpected 3D shapes and forms through sculpture.

93.   ‘Angus’ by Birgit Heinemann (Brighton-Le-Sands)
93. ‘Angus’ by Birgit Heinemann (Brighton-Le-Sands)

MATERIAL: Mixed media skull on metal frame (wall hanging)

SIZE: 34 x 30 x 15 (cm)

PRICE: $560

STATEMENT: Cows are gentle and strong animals. Angus was one of them and "a part of him" is brought back to life ...

ARTIST BIO: I was born in Germany. After studying architecture and health facility planning, I went on to work in different departments for Public Health and Urban Development. Open to other directions and careers my path brought me to Australia. Here I continued and deepened my love for art.

95.   ‘Wooden it be Nice’ by Matthew Harvie (Murrumbateman)
95. ‘Wooden it be Nice’ by Matthew Harvie (Murrumbateman)

MATERIAL: Timber, steel and polyurethane

SIZE: 200 x 170 x 170 (cm)

PRICE: $25,000

STATEMENT: Made from timber off-cuts, to turn potential firewood into something useful. A skin of over 4000 pieces arranged in a non-symmetrical fashion over a mild steel frame. Then sanded and sealed to highlight the timbers natural beauty.

ARTIST BIO: Matthew is a multi-disciplined sculptor based in Murrumbateman. He usually works with timber, but also uses metal, plastic and found objects. His unique sculpting process often requires custom made tools for the completion of art works. His skillset stretches from engraving by hand though to carving with a chainsaw.

96.   ‘Embody (2021)’ by Natalie Matthews (Avalon)
96. ‘Embody (2021)’ by Natalie Matthews (Avalon)

MATERIAL: Sealed limestone

SIZE: 40 x 40 x 35 (cm)

PRICE: SOLD

STATEMENT: Embody is a sensitive piece, an embrace, a merging of forms.

ARTIST BIO: Natalie’s sculpting explores the relationship of positive and negative forms. As an architect she finds inspiration in the materiality of limestone and the pursuit of creating softness from solid stone. She sculpts in Kurrajong immersed in nature. Her practice began at Rosby; beyond that she is self-taught.

97.   ‘Petite (2021)’ by Natalie Matthews (Avalon)
97. ‘Petite (2021)’ by Natalie Matthews (Avalon)

MATERIAL: Sealed limestone

SIZE: 20 x 17 x 11 (cm)

PRICE: SOLD

STATEMENT: Petite is a playful exploration.

ARTIST BIO: Natalie’s sculpting explores the relationship of positive and negative forms. As an architect she finds inspiration in the materiality of limestone and the pursuit of creating softness from solid stone. She sculpts in Kurrajong immersed in nature. Her practice began at Rosby; beyond that she is self-taught.

98.  ‘Metascape’ by Hui Selwood (Hill End)
98. ‘Metascape’ by Hui Selwood (Hill End)

MATERIAL: Painted steel

SIZE: 150 x 100 x 20 (cm)

PRICE: $11,000

STATEMENT: A topographic composition in the form of Bas-Relief.

ARTIST BIO: Hui Selwood graduated from the National Art School (BFA) in 2000. Exhibiting annually since 1996, including in Europe. Awarded the Sculpture in the Garden Prize 2018, Sawmillers Sculpture Prize 2010. Public and private collections (national and international).

99.   ‘Only One’ by Ellenore Griffith (Kirribilli)
99. ‘Only One’ by Ellenore Griffith (Kirribilli)

MATERIAL: Welded mild steel, sand blaster, painted.

SIZE: 43 x 18 x 6 (cm)

PRICE: $950

STATEMENT: A small Botanical with only one flower. Constructed to lie flat and either grace a coffee table or a couple of books, or to hang on a wall.

ARTIST BIO: Ellenore studied medicine Sydney University MBBS; attended NAS short terms and summer schools 2010-2021. Her exhibitions include a solo exhibition at Lane Cove Gallery as well as many group exhibitions in Sydney and Rural NSW. Commissions Australia and Overseas. Represented in private collections.

100.   ‘Late Bloom’ by Ellenore Griffith (Kirribilli)
100. ‘Late Bloom’ by Ellenore Griffith (Kirribilli)

MATERIAL: Mild steel, welded, zinc coated, painted.

SIZE: 74 x 43 x 25 (cm)

PRICE: $2,300

STATEMENT: This folding and curving sculpture is welded mild steel zinc coated and painted. It can be read as petals gradually falling or a bloom unfolding late in the season. It is constructed to be attached to a wall.

ARTIST BIO: Ellenore studied medicine Sydney University MBBS; attended NAS short terms and summer schools 2010-2021. Her exhibitions include a solo exhibition at Lane Cove Gallery as well as many group exhibitions in Sydney and Rural NSW. Commissions Australia and Overseas. Represented in private collections.

101.   ‘Divers’ by Edward Willson (Bermagui)
101. ‘Divers’ by Edward Willson (Bermagui)

MATERIAL: Granite, concrete & steel.

SIZE: 100 x 80 x 30 (cm)

PRICE: $2,300

STATEMENT: Uncertain waters.

ARTIST BIO: Abstract stone carver working predominantly with granite. Studied arts at COFA Sydney, now residing on the far south coast.

102.   ‘Xanthorrhoea’ by Henryk Topolnicki (Dargan)
102. ‘Xanthorrhoea’ by Henryk Topolnicki (Dargan)

MATERIAL: Galvanised and powder coated mild steel, recycled plough disc base.

SIZE: 195 x 100 x 100 (cm)

PRICE: $3,900

STATEMENT: No design credit to me, simply saw the grass trees while out bike riding through the bush - the little stem wrapping itself around the parent. That was enough to get me inspired.

ARTIST BIO: I am an artist developing works independently in response to private, public, gallery and competition commissions. This has been my occupation for the last 25 years. Over that period, public art became my main focus with many successful major projects. These days I am fully committed to private art practice.

103.  'Shielded I' by Stephen King (Walcha)
103. 'Shielded I' by Stephen King (Walcha)

MATERIAL: Stringybark

SIZE: 220 x 70 x 70 (cm)

PRICE: $25,000

STATEMENT: Shielded is from a series of work responding to the pandemic.

ARTIST BIO: Graduated SCA - Visual Arts in 1979. Initiated Walcha’s Open Air Gallery in 1996. Represented Australia in the Inami Wood Sculpture Symposium, Japan, 2007. Exhibited in SXS Bondi, Cottesloe, Aarhus, Denmark - 29 times. 2013 Winner SXS Bondi. 2020 Winner of Sculpture in the Vineyards. 2020 Winner of SIG.

104.   ‘Pink Flannel Flower Firepit’ by Fraser the Razor (Seaforth)
104. ‘Pink Flannel Flower Firepit’ by Fraser the Razor (Seaforth)

MATERIAL: Mild steel

SIZE: 40 x 62 x 38 (cm)

PRICE: SOLD

STATEMENT: Only seen the Summer after bushfires, this work is inspired by the rare and beautiful Pink Flannel Flower (actinotus forsythii). This Australian native flower belongs to a group of plants classed as pyrophiles, which require fire in order to complete their cycle of reproduction.

ARTIST BIO: Fraser the Razor is an emerging sculptor based on the Northern Beaches in Sydney. Working mostly in steel, Fraser has exhibited in gallery exhibitions and outdoor sculpture shows locally, regionally and interstate. Fraser draws inspiration from Australian flora and fauna and the environmental issues they face.

105.  ‘Looking back at the devastation’ by Matt Hill (Rye)
105. ‘Looking back at the devastation’ by Matt Hill (Rye)

MATERIAL: Corten steel

SIZE: 160 x 90 x 160 (cm)

PRICE: SOLD

STATEMENT: A kangaroo looking back at the devastation of the 2020 bushfires.

ARTIST BIO: Matt Hill is an award-winning Australian artist who has a passion for creating unique and mesmerising sculptures from corten steel. A carpenter by trade, Matt has harnessed his knowledge of architectural and rendering software to create eye-catching pieces that are not bound by size or design limitations.

106.   ‘Pig’ by Jay Sikora (Geelong)
106. ‘Pig’ by Jay Sikora (Geelong)

MATERIAL: Corten steel

SIZE: 60 x 100 x 40 (cm)

PRICE: $6,300

STATEMENT: Low poly pig sculpture.

ARTIST BIO: Jay Sikora is a Geelong based Metal artist with an eye for detail, a qualified boilermaker by trade, Jay's skills are of the highest quality. Jay is also the managing director of Metal Art & Design where he has honed his metal fabrication skills, with sculpting being his passion.

107.   ‘Pensive’ by Nicole O'Regan (Sodwalls)
107. ‘Pensive’ by Nicole O'Regan (Sodwalls)

MATERIAL: Granite, sandstone, rhyolite, slate and steel.

SIZE: 130 x 73 x 82 (cm)

PRICE: SOLD

STATEMENT: I have created this sculpture by weaving steel around, following the contours and the shapes of the individual rocks. Aiming to show an expression of revealing thoughtfulness that pensive in manner, contemplating our current situation.

ARTIST BIO: Nicole has been working as an art fabricator for the last 8 years. She’s also been exhibiting her own work including Defiance gallery miniature 6x6x6 show, Sculpture at Sawmillers, Bathurst Regional Gallery, Lake Light Jindabyne, Sculpture for Clyde Batemans bay, Orange Regional Gallery & has continual works at Gang Gang Gallery.

108.   ‘foglie d'autunno’ by Emilia Krumm (Lisarow)
108. ‘foglie d'autunno’ by Emilia Krumm (Lisarow)

MATERIAL: Reinforced Resin

SIZE: 100 x 100 x 200 (cm)

PRICE: $970

STATEMENT: Autumn is the median between hot and cold and the leaves are a mixture of warm and cool colours.

ARTIST BIO: The Conduit Collaboration is 3 independent works united by illumination. These artworks are individual statements but also capture the ethereal quality of connection to another reality. Therese Wilkins, Lisa McArthur Edwards, and Emilia Krumm have united their interpretations and created a light connection between them.

109.   ‘Language of Our Land’ by Sarrita King (Anula)
109. ‘Language of Our Land’ by Sarrita King (Anula)

MATERIAL: Steel

SIZE: 169 x 330 x 41 (cm)

PRICE: $8,800

STATEMENT: With this sculpture, Sarrita wanted to translate her ‘Our Land' & 'Language of the Earth' artworks & stories into a 3D object. The choice to use metal & rust is a reflection on the strength and longevity of the Australian Indigenous culture 7 stories passed down over time.

ARTIST BIO: Sarrita King was born in Adelaide on March 5th, 1988. She now lives in Darwin, N.T with her partner, Chad & 2 boys. The N.T continues to be the source of much of her creative inspiration along with the stories her father, the late, William King Jungala, shared with her.

110.  ‘Woman in shower’ by Paul Bacon (Avalon)
110. ‘Woman in shower’ by Paul Bacon (Avalon)

MATERIAL: Mild steel, enamel paint, wax

SIZE: 230 x 80 x 40 (cm)

PRICE: $6,500

STATEMENT: A drawing of a woman bathing, a standing figure, a silhouette of grace.

ARTIST BIO: B. 1963. Dip Fine Art. National Art School. Represented Maunsell Wickes Gallery. Public and private collections.

111.   ‘Emergent VII’ by Bridget Whitehead (Cardiff Heights)
111. ‘Emergent VII’ by Bridget Whitehead (Cardiff Heights)

MATERIAL: Oamaru limestone.

SIZE: 75 x 25 x 30 (cm)

PRICE: SOLD

STATEMENT: Seed: falling, floating, twisting, twirling. Pushing deep into the ground and upwards. Emergent.

ARTIST BIO: My art is a natural progression from a childhood interest in rocks; through a career as a geologist, to working stone as a sculptor. I like to work with natural stone and with stone like materials to make sculpture that is at home either indoors or outside.

112.   ‘Flourish (horizontal)’ by Bridget Whitehead (Cardiff Heights)
112. ‘Flourish (horizontal)’ by Bridget Whitehead (Cardiff Heights)

MATERIAL: Oamaru limestone.

SIZE: 40 x 70 x 25 (cm)

PRICE: SOLD

STATEMENT: Flourish in limestone recalls prehistoric seas. Optimistic energetic bloom.

ARTIST BIO: My art is a natural progression from a childhood interest in rocks, through a career as a geologist, to working stone as a sculptor. I like to work with natural stone and with stone like materials to make sculpture that is at home either indoors or outside.

113.   ‘Origins of life’ by Edward Willson (Bermagui)
113. ‘Origins of life’ by Edward Willson (Bermagui)

MATERIAL: Granite on Corten steel.

SIZE: 170 x 40 x 35 (cm)

PRICE: SOLD

STATEMENT: The source of life, portals, comings and goings.

ARTIST BIO: Abstract stone carver working predominantly with granite. Studied arts at COFA Sydney, now residing on the far south coast.

114.   ‘Siren’ by Nigel White (Mudgee)
114. ‘Siren’ by Nigel White (Mudgee)

MATERIAL: Oregon

SIZE: 222 x 40 x 40 (cm)

PRICE: $6,000

ARTIST BIO: I have been trying to make art for more than 40 years. Sometimes it's a battle, other times it's not. The best thing is trying.

115.   ‘Voyager’ by Nigel White (Mudgee)
115. ‘Voyager’ by Nigel White (Mudgee)

MATERIAL: Oregon

SIZE: 217 x 80 x 40 (cm)

PRICE: SOLD

ARTIST BIO: I have been trying to make art for more than 40 years. Sometimes it's a battle, other times it's not. The best thing is trying.

116.   ‘Overland’ by Alex Scheibner (Rylstone)
116. ‘Overland’ by Alex Scheibner (Rylstone)

MATERIAL: Steel, found object

SIZE: 78 x 47 x 29 (cm)

PRICE: SOLD

STATEMENT: A sculptural witness of a landscape and its momento mori.

ARTIST BIO: Alex Scheibner trained as a blacksmith and mechanical fitter. It was a natural progression to move towards sculpture where years of developing both his understanding of the nature of metals and his metalworking skills could take on such varied applications.

117.  ‘Bowens Creek Bridge’ by Alex Scheibner (Rylstone)
117. ‘Bowens Creek Bridge’ by Alex Scheibner (Rylstone)

MATERIAL: Steel, found object

SIZE: 100 x 48 x 42 (cm)

PRICE: SOLD

STATEMENT: A sculptural witness of a landscape and its momento mori.

ARTIST BIO: Alex Scheibner trained as a blacksmith and mechanical fitter. It was a natural progression to move towards sculpture where years of developing both his understanding of the nature of metals and his metalworking skills could take on such varied applications.

118.   ‘spirali ligna I’ by Ross Farrelly (Sydney)
118. ‘spirali ligna I’ by Ross Farrelly (Sydney)

MATERIAL: Australian hardwood, sandstone

SIZE: 120 x 20 x 20 (cm)

PRICE: $1,900

STATEMENT: Utilising natural materials of wood and stone, this work pays homage to the land on which we live and from which we draw energy and nourishment.

ARTIST BIO: Ross Farrelly has been a passionate artist all his life. Somewhat of a polymath, his academic qualifications include degrees in mathematics, ethics and information systems. Born in Auckland, he now lives in Sydney where he utilises natural materials in the making of both representational and abstract sculptures.

119.   ‘Together Forever’ by Birgit Heinemann (Brighton-Le-Sands)
119. ‘Together Forever’ by Birgit Heinemann (Brighton-Le-Sands)

MATERIAL: Ceramic, glass tiles.

SIZE: 32 x 32 x 6 (cm)

PRICE: $640

STATEMENT: Two interlocking rings symbolize unity and eternity. There is no beginning or end...

ARTIST BIO: I was born in Germany. After studying architecture and health facility planning I then went on to work in different departments for Public Health and Urban Development. Open to other directions and careers my path brought me to Australia. Here I continued and deepened my love for art.

120.   ‘Life’ by Jeffrey Hallinan (Dubbo)
120. ‘Life’ by Jeffrey Hallinan (Dubbo)

MATERIAL: Found steel items.

SIZE: 150 x 26 x 26 (cm)

PRICE: $1,850

STATEMENT: When Life throws a curve ball it seems big and you can't see how to move on. You need to muster your strength and courage and take a leap of faith. You do it and it comes together. Planting the seed for the next chapter.

ARTIST BIO: Based in Dubbo NSW Jeff Hallinan has been perfecting his welding craft for the past 45 years. Collecting steel in all shapes and forms for about the same length of time and enjoys giving previously useful items a new creative purpose or mixing piece up to create something new.

 

Featured
121.   ‘Eagle’ by Anthony Xerri (Blaxland)
121. ‘Eagle’ by Anthony Xerri (Blaxland)

MATERIAL: Steel

SIZE: 236 x 95 x 80 (cm)

PRICE: $16,500

STATEMENT: This sculpture is largely made from the remnants and off-cuts from a previous sculpture which has just been selected for exhibition in Sculpture By The Sea. Sharp and lethal shards are a common theme in this work and unite eagle and base towards an aesthetic appeal.

ARTIST BIO: Studied Sculpture and Printmaking at RMIT, Literature at Melbourne University. Selected to show in Sculpture By The Sea 2022.

122.   ‘Guardians’ by Stephen Hogan (Bathurst)
122. ‘Guardians’ by Stephen Hogan (Bathurst)

MATERIAL: 100% recycled steel

SIZE: 170 x 30 x 30 (cm)

PRICE: $7,500

STATEMENT: Mankind has always created iconic representations of gods and spirits to feel secure, guarded and special. These guardians offer a symbolic connection to something bigger than ourselves.

ARTIST BIO: Where others just see scrap steel, Stephen Hogan sees beauty, form and shape. He creates pieces that respect and preserve the original but strives to give them new form, life and meaning in a modern context. Hogan works full time as a sculptor from his studio in Bathurst.

123.   ‘Cubed’ by Jay Sikora (Geelong)
123. ‘Cubed’ by Jay Sikora (Geelong)

MATERIAL: Square tube

SIZE: 240 x 80 x 60 (cm)

PRICE: $2,900

ARTIST BIO: Jay Sikora is a Geelong based metal artist with an eye for detail, a qualified boilermaker by trade, Jay's skills are of the highest quality. Jay is also the managing director of Metal Art & Design where he has honed his metal fabrication skills, with sculpting being his passion.

124.   ‘Flight of the Dragons’ by Henryk Topolnicki (Dargan)
124. ‘Flight of the Dragons’ by Henryk Topolnicki (Dargan)

MATERIAL: Driftwood and mild steel

SIZE: 165 x 95 x 80 (cm)

PRICE: $2,200

STATEMENT: The driftwood lends itself to endless possibilities of elements of nature nestling within; this is just one of them.

ARTIST BIO: I am an artist developing works independently in response to private, public, gallery and competition commissions. This has been my occupation for the last 25 years. Over that period, public art became my main focus with many successful major projects. These days I am fully committed to private art practice.

125.   'Emily the Wedge-tailed eagle' by Chris Anderson (Glenaroua)
125. 'Emily the Wedge-tailed eagle' by Chris Anderson (Glenaroua)

MATERIAL: Eucalyptus drop wood

SIZE: 222 x 170 x 300 (cm)

PRICE: $10,500

STATEMENT: Emily the Wedge Tailed Eagle takes one last almighty flap of her wings as she carefully stretches out her talons to perch on the tree stump for what will be a well earned rest after flying for hours.

ARTIST BIO: After four years of sculpting, Chris Anderson enjoys creating native Australian birds from hundreds of pieces of smashed up, reclaimed eucalyptus drop wood.

126.   ‘Frankenstone’ by Damien Lucas (Byron Bay)
126. ‘Frankenstone’ by Damien Lucas (Byron Bay)

MATERIAL: Limestone

SIZE: 50 x 35 x 35 (cm)

PRICE: $2,250

STATEMENT: A resting, pensive head taken to geometric abstraction.

ARTIST BIO: Damien Lucas began his studies with master sculptor Tom Bass. He completed his BFA at NAS, Sydney, in 2004. He is well versed in the figure and abstraction, working with clay, plaster, stone, wood, steel and bronze. Damien is currently based in Byron Bay.

127.   Mo'aicladic II’ by Damien Lucas (Byron Bay)
127. Mo'aicladic II’ by Damien Lucas (Byron Bay)

MATERIAL: Limestone

SIZE: 50 x 35 x 35 (cm)

PRICE: $2,250

STATEMENT: A variation on a theme inspired by the monolithic heads of Easter Island and the funerary figures of the Cyclades, with a measure of modernism.

ARTIST BIO: Damien Lucas began his studies with master sculptor Tom Bass. He completed his BFA at NAS, Sydney, in 2004. He is well versed in the figure and abstraction, working with clay, plaster, stone, wood, steel and bronze. Damien is currently based in Byron Bay.

128.   ‘La Corazón’ by Damien Lucas (Byron Bay)
128. ‘La Corazón’ by Damien Lucas (Byron Bay)

MATERIAL: Limestone

SIZE: 50 x 35 x 35 (cm)

PRICE: $2,250

STATEMENT: La Corazón" retains a sense of fullness albeit being pierced. There is a fine line between our inner and outer worlds.

ARTIST BIO: Damien Lucas began his studies with master sculptor Tom Bass. He completed his BFA at NAS, Sydney, in 2004. He is well versed in the figure and abstraction, working with clay, plaster, stone, wood, steel and bronze. Damien is currently based in Byron Bay.

129.   ‘Sway’ by Annika Thurbon (Cardiff Heights)
129. ‘Sway’ by Annika Thurbon (Cardiff Heights)

MATERIAL: Sandstone and Pine

SIZE: 183 x 50 x 50 (cm)

PRICE: SOLD

STATEMENT: This work aims to capture the beauty and movement of form and materials. Its soft, gentle curves flow effortlessly from the sandstone as it transitions into the timber below. I feel it is reminiscent of a leaf in as it gets caught in an unexpected breeze.

ARTIST BIO: Annika Thurbon is a multidisciplinary artist currently working in sculpture. Her work showcases the beauty of raw, natural materials by bringing them to life through abstract forms.

130.   ‘Forest’ by Michael Ferris (Mudgee)
130. ‘Forest’ by Michael Ferris (Mudgee)

MATERIAL: Stone, steel, ironbark plinth

SIZE: 220 x 100 x 30 (cm)

PRICE: SOLD

STATEMENT: A forest can be a mysterious place full of fairy tales and legends. I wanted to recreate this child like memory in a new abstract and modern way. This sculpture highlights how life thrives within the parameters of the forest.

ARTIST BIO: My work focuses on simple botanical form, challenging traditional methods to transform ordinary materials into something eye catching whilst revealing an unexpected form in a previously unseen way. I want my creations to look like they could have lived or grown somewhere.

131.   ‘Daydream’ by Mark Joyce (Woy Woy)
131. ‘Daydream’ by Mark Joyce (Woy Woy)

MATERIAL: Recycled Australian hard wood and recycled steel

SIZE: 220 x 70 x 70 (cm)

PRICE: $3,600

ARTIST STATEMENT: Daydreaming is beneficial for the creative mind.

ARTIST BIO: Certificate III in engineering. Welders ticket AS 1554.Completed boiler maker trade apprenticeship. Finalist 2019 Wildflower Art and Garden Festival. Finalist 2021 Ku-ring-gai Sculpture Trail. Finalist 2021 Sculpture in The Vineyards. Private commissions throughout QLD and NSW.

132.   ‘Taking flight’ by Grahame Wilson (Teralba)
132. ‘Taking flight’ by Grahame Wilson (Teralba)

MATERIAL: Remnant gum

SIZE: 100 x 40 x 35 (cm)

PRICE: $1,500

STATEMENT: From inverting one’s perspective, it is amazing what takes flight.

ARTIST BIO: A gentleman sculptor of the third age who, having no formal qualifications, always looks forward to the next unqualified success.

133.   ‘Runner’ by François Jaggi (Armidale)
133. ‘Runner’ by François Jaggi (Armidale)

MATERIAL: Corten steel

SIZE: 160 x 100 x 20 (cm)

PRICE: SOLD

STATEMENT: This work depicts a barefooted individual, traversing the Australian desert. Channelling the sensation of freedom, the runner endures the unrelenting extreme elements in order to reach their goals, always wanting to create adventure and achieve as they go.

ARTIST BIO: After studying at the Geneva School of Arts, I worked across Switzerland for Cartier and Rolex as a jewellery designer. I then moved to Australia where I found sculpture to be an exciting venture with limitless possibilities. I exhibit my works in Australia & Internationally for the corporate and private buyers.

134.   ‘The Cubes’ by Bob Teasdale (Bowning)
134. ‘The Cubes’ by Bob Teasdale (Bowning)

MATERIAL: Mild steel

SIZE: 120 x 45 x 45 (cm)

PRICE: $1,200

STATEMENT: I challenged myself to create a sculpture with straight lines, as opposed to the circles and curves I prefer.

ARTIST BIO: I enjoy working with Corten steel, to create contemporary stylised sculptures. I also use old historical farm pieces in some designs. I have been exhibiting for the last 6 years, have won 3 awards and have 4 pieces in public sculpture walks as well as many in private collections.

135.   ‘Mob of Emus’ by Stuart Taylor (Deniliquin)
135. ‘Mob of Emus’ by Stuart Taylor (Deniliquin)

MATERIAL: Recycled scrap metal

SIZE: 200 x 70 x 170 (cm)

PRICE: SOLD

STATEMENT: I love the scruffy, bushy nature of Emus. I have used a mosaic of old chain, bolts, and wire to create the body. I’m also interested in the silhouette of the mob when viewed from a distance.

ARTIST BIO: Stuart Taylor is a scrap metal artist based in Deniliquin, NSW. He works with material gathered from farms and scrap yards in his local area. Many of his sculptures can be viewed on public display around the Riverina and interstate. He has been working as a full time sculptor for 10 years.

136.   ‘Monkey’ by Jay Sikora (Geelong)
136. ‘Monkey’ by Jay Sikora (Geelong)

MATERIAL: Corten

SIZE: 170 x 70 x 50 (cm)

PRICE: $4,700

STATEMENT: A sliced sculpture that changes as your view / focus changes.

ARTIST BIO: Jay Sikora is a Geelong based Metal artist with an eye for detail, a qualified boilermaker by trade, Jay's skills are of the highest quality. Jay is also the managing director of Metal Art & Design where he has re ned his metal fabrication skills, with sculpting being his passion.

137.   ‘Book reading’ by Nicola McCutcheon (Narromine)
137. ‘Book reading’ by Nicola McCutcheon (Narromine)

MATERIAL: Raku clay and paint

SIZE: 60 x 50 x 50 (cm)

PRICE: SOLD

STATEMENT: Nicola McCutcheon works exclusively in clay, making small to medium-scale forms using a coil technique with a painterly, rustic finish. The pieces are largely biographical with curvaceous figures of family. They speak of the universal female existence and our relationship to each other and the passing of time.

ARTIST BIO: I have been practicing art for 30 years. I am concentrating on clay sculptures. My work tends to be figurative and narrative. I am trying to spark some interest or memory in the viewer that will encourage them to daydream, to wander off and make their own story.

138.   ‘Snoozing’ by Nicola McCutcheon (Narromine)
138. ‘Snoozing’ by Nicola McCutcheon (Narromine)

MATERIAL: Raku clay and paint

SIZE: 60 x 50 x 50 (cm)

PRICE: SOLD

STATEMENT: Nicola McCutcheon works exclusively in clay, making small to medium-scale forms using a coil technique with a painterly, rustic finish. The pieces are largely biographical with curvaceous figures of family. They speak of the universal female existence and our relationship to each other and the passing of time.

ARTIST BIO: I have been practicing art for 30 years. I am concentrating on clay sculptures. My work tends to be figurative and narrative. I am trying to spark some interest or memory in the viewer that will encourage them to daydream, to wander off and make their own story.

139.   ‘Rubba Dub Dub’ by Nicola McCutcheon (Narromine)
139. ‘Rubba Dub Dub’ by Nicola McCutcheon (Narromine)

MATERIAL: Raku clay and paint

SIZE: 60 x 40 x 50 (cm)

PRICE: SOLD

STATEMENT: Nicola McCutcheon works exclusively in clay, making small to medium-scale forms using a coil technique with a painterly, rustic finish. The pieces are largely biographical with curvaceous figures of family. They speak of the universal female existence and our relationship to each other and the passing of time.

ARTIST BIO: I have been practicing art for 30 years. I am concentrating on clay sculptures. My work tends to be figurative and narrative. I am trying to spark some interest or memory in the viewer that will encourage them to daydream, to wander off and make their own story.

140.   ‘Two kids in a tub’ by Nicola McCutcheon (Narromine)
140. ‘Two kids in a tub’ by Nicola McCutcheon (Narromine)

MATERIAL: Raku clay and paint

SIZE: 60 x 44 x 46 (cm)

PRICE: SOLD

STATEMENT: Nicola McCutcheon works exclusively in clay, making small to medium-scale forms using a coil technique with a painterly, rustic finish. The pieces are largely biographical with curvaceous figures of family. They speak of the universal female existence and our relationship to each other and the passing of time.

ARTIST BIO: I have been practicing art for 30 years. I am concentrating on clay sculptures. My work tends to be figurative and narrative. I am trying to spark some interest or memory in the viewer that will encourage them to daydream, to wander off and make their own story.

141.   ‘Lounge in a tub’ by Nicola McCutcheon (Narromine)
141. ‘Lounge in a tub’ by Nicola McCutcheon (Narromine)

MATERIAL: Raku clay and paint

SIZE: 35 x 45 x 55 (cm)

PRICE: SOLD

STATEMENT: Nicola McCutcheon works exclusively in clay, making small to medium-scale forms using a coil technique with a painterly, rustic finish. The pieces are largely biographical with curvaceous figures of family. They speak of the universal female existence and our relationship to each other and the passing of time.

ARTIST BIO: I have been practicing art for 30 years. I am concentrating on clay sculptures. My work tends to be figurative and narrative. I am trying to spark some interest or memory in the viewer that will encourage them to daydream, to wander off and make their own story.

142.  ‘Stretch’ by Nicola McCutcheon (Narromine)
142. ‘Stretch’ by Nicola McCutcheon (Narromine)

MATERIAL: Raku clay and paint

SIZE: 33 x 40 x 50 (cm)

PRICE: SOLD

STATEMENT: Nicola McCutcheon works exclusively in clay, making small to medium-scale forms using a coil technique with a painterly, rustic finish. The pieces are largely biographical with curvaceous figures of family. They speak of the universal female existence and our relationship to each other and the passing of time.

ARTIST BIO: I have been practicing art for 30 years. I am concentrating on clay sculptures. My work tends to be figurative and narrative. I am trying to spark some interest or memory in the viewer that will encourage them to daydream, to wander off and make their own story.

143.   ‘Mudgee nest in the hills chair’ by Wayne Dent (Mudgee)
143. ‘Mudgee nest in the hills chair’ by Wayne Dent (Mudgee)

MATERIAL: Metal, recycled plastic

SIZE: 115 x 145 x 52 (cm)

PRICE: SOLD

STATEMENT: Had a hard days work? Take a seat & settle down on this one of a kind themed Mudgee seat in your garden enjoying a wine or beer.

ARTIST BIO: Wayne Burger Dent, 39 years old. Born in Mudgee and grew up on the last Dairy farm in Mudgee owned by my grandfather Norman Dent. Practising boilermaker.

144.  ‘Sprung’ by David Perkins (Gundaroo)
144. ‘Sprung’ by David Perkins (Gundaroo)

MATERIAL: Mild steel

SIZE: 180 x 80 x 40 (cm)

PRICE: SOLD

STATEMENT: Inspired by pods opening to scatter their seeds.

145.   ‘Silver Gum’ by Julie Laurie (Gunnedah)
145. ‘Silver Gum’ by Julie Laurie (Gunnedah)

MATERIAL: Galvanised Wire and sandstone

SIZE: 400 x 350 x 350 (cm)

PRICE: SOLD

STATEMENT: This sculpture was inspired by the trees protruding out of the still waters at Keepit Dam. Their bare form reflex a magnificent silver shimmer in the late afternoon across the waters edge.

ARTIST BIO: For a number of years I have been working with galvanised wire. Through this medium I have achieved success by transforming a rigid product into something active and full of movement. Most of my inspiration comes from animals and nature, and I enjoy exploring new mediums for my sculptures.

146.   ‘Resonate’ by Richard Nagel (Mudgee)
146. ‘Resonate’ by Richard Nagel (Mudgee)

MATERIAL: Powder coated new and recycled steel and stainless steel ball.

SIZE: 300 x 150 x 30 (cm)

PRICE: $8,700

STATEMENT: One resonates and reflects with their surroundings.

ARTIST BIO: Over the years I have created many sculptures using recycled materials. Recently I have started to combine used and new materials to broaden my scope. I let the natural shape of discarded objects dictate my piece without the use of heat to alter the shape.

147.   ‘PODS’ by Iona Steinle (Sydney)
147. ‘PODS’ by Iona Steinle (Sydney)

MATERIAL: Recycled cotton sheets, bondcrete, PVC & paint

SIZE: Sizes vary

PRICE: $100 - $200 per pod

ARTIST BIO: In past life a textile designer. Diploma of Fine Arts Meadowbank Tafe. Various group and solo exhibitions in Sculpture and Painting. Winner of Hunters Hill Sculpure Prize.

148.   ‘Eye of the Storm’ by Michael Ferris (Mudgee)
148. ‘Eye of the Storm’ by Michael Ferris (Mudgee)

MATERIAL: Stone, steel & bridge timber

SIZE: 240 x 120 x 30 (cm)

PRICE: SOLD

STATEMENT: Using simple methods and materials together with an elegant form this sculpture catches the eye and craves a contemporary garden. Taking on an entwined configuration this piece creates interest from each angle.

ARTIST BIO: My work focuses on simple botanical form, challenging traditional methods to transform ordinary materials into something eye catching whilst revealing an unexpected form in a previously unseen way. I want my creations to look like they could have lived or grown somewhere.

149.   ‘Alpha’ by Mark Niglia (Shepparton North)
149. ‘Alpha’ by Mark Niglia (Shepparton North)

MATERIAL: Mild steel round and reinforcement bar

SIZE: 260 x 80 x 290 (cm)

PRICE: $16,000

STATEMENT: ‘Alpha’ An assertive stance portraying dominance to protect what has meaning in life. Having an image of a bigger self and actively working to bring it to fruition. Sculpted as a strong figure from distorted metal rod and sealed in matte black finish. Alpha walks a unique path.

ARTIST BIO: Mark Niglia from regional Victoria, creates movement and life that allows others to interpret feeling through sculpture. He uses the energy of distorted metals to instinctively create life-size sculptures. Mark's artistic practice relies upon raw creativity to ensure every art piece is unique.

150.  ‘Mothers and Daughters (a poem by David Campbell)’ by Ian Marr (Braidwood)
150. ‘Mothers and Daughters (a poem by David Campbell)’ by Ian Marr (Braidwood)

MATERIAL: Pyrmont Sandstone

SIZE: 40 x 175 x 60 (cm)

PRICE: SOLD

ARTIST STATEMENT: One of Campbell’s best loved poems, compact, disciplined, painfully true & sharply amusing, carved as a garden bench for mother’s & daughters to sit, rest & talk as they move between garden rooms.

ARTIST BIO: Ian has been painting, drawing and carving for nearly as long as he can remember, which fortunately he can also still do. His studios and farms are at Braidwood and on the Darling River/Barka flood plain at Wilcannia. He draws on our shared culture and language.

Featured
151.   ‘South Coronet’ by Ben Tooth (Bellingen)
151. ‘South Coronet’ by Ben Tooth (Bellingen)

MATERIAL: Stringybark

SIZE: 170 x 270 x 240 (cm)

PRICE: $7,700

STATEMENT: “South Coronet” is a visual journey designed to mimic the positive and negative space found in a tree canopy.

ARTIST BIO: In 2013 Tooth began a Bachelor of Fine Art at National Art School in Darlinghurst. Tooth graduated in 2015, majoring in sculpture. Tooth has been assisting sculptor Stephen King full time since.

152.  'Gosper's Ghost' by Alex Scheibner (Rylstone)
152. 'Gosper's Ghost' by Alex Scheibner (Rylstone)

MATERIAL: Boiler plate

SIZE: 175 x 273 x 150 (cm)

PRICE: SOLD

STATEMENT: A sculptural witness of a landscape and its momento mori.

ARTIST BIO: Alex Scheibner trained as a blacksmith and mechanical fitter. It was a natural progression to move towards sculpture where years of developing both his understanding of the nature of metals and his metalworking skills could take on such varied applications.

153.   ‘Still Life’ by Tobias Bennett (Yanco)
153. ‘Still Life’ by Tobias Bennett (Yanco)

MATERIAL: Steel pipe, powder coat finish

SIZE: 300 x 300 x 150 (cm)

PRICE: $13,200

STATEMENT: Still life forms imposed on the landscape. Sold as a pair.

ARTIST BIO: Tobias Bennett creates a wide variety of sculpture predominantly from steel. Tobias finds infinite inspiration in nature and enjoys exploring both figurative and abstract forms.

154.   ‘Flipper’ by Jay Sikora (Geelong)
154. ‘Flipper’ by Jay Sikora (Geelong)

MATERIAL: Corten and stainless steel

SIZE: 250 x 70 x 120 (cm)

PRICE: SOLD

STATEMENT: Capturing the playfulness and joy a dolphin brings to those around it, always happy & living in the moment, something many of us forget to do.

ARTIST BIO: Jay Sikora is a Geelong based Metal artist with an eye for detail, a qualified boilermaker by trade, Jay's skills are of the highest quality. Jay is also the managing director of Metal Art & Design where he has honed his metal fabrication skills, with sculpting being his passion.

155.  ‘Magnam avium 1’ by Adam Humphreys (Duri)
155. ‘Magnam avium 1’ by Adam Humphreys (Duri)

MATERIAL: Mild & galvanised steel

SIZE: 200 x 150 x 150 (cm)

PRICE: $12,200

STATEMENT: A study of the perfect combination of fluidity, strength and grace, atop a classically Australian perch - the galvanised strainer post.

ARTIST BIO: Adam Humphreys began carving his creative path in Wales 12 years ago quite literally with a chainsaw. Since then he has exhibited in countries such as Botswana, New Zealand, and of course, Australia. His preferred medium has evolved to steel and inspiration comes predominantly from his love of the horse.

156.  ‘Retrosum Adumbro 1’ by Adam Humphreys (Duri)
156. ‘Retrosum Adumbro 1’ by Adam Humphreys (Duri)

MATERIAL: Mild & galvanised steel

SIZE: 240 x 240 x 240 (cm)

PRICE: $3,200

STATEMENT: The Prequel to Magnam avium 1, part of its story. Looking at what’s not there. This is as close to a canvas as the artist gets to with his work and can be wall mounted as so.

ARTIST BIO: Adam Humphreys began carving his creative path in Wales 12 years ago quite literally with a chainsaw. Since then he has exhibited in countries such as Botswana, New Zealand, and of course, Australia. His preferred medium has evolved to steel and inspiration comes predominantly from his love of the horse.

157.   ‘The Rusty Rhino’ by Tobias Bennett (Yanco)
157. ‘The Rusty Rhino’ by Tobias Bennett (Yanco)

MATERIAL: Reclaimed steel

SIZE: 160 x 300 x 100 (cm)

PRICE: $13,200

STATEMENT: A rare breed found only in the Australian outback.

ARTIST BIO: Tobias Bennett creates a wide variety of sculpture predominantly from steel. Tobias finds infinite inspiration in nature and enjoys exploring both figurative and abstract forms.

158.   ‘Otis’ by Grahame Wilson (Teralba)
158. ‘Otis’ by Grahame Wilson (Teralba)

MATERIAL: Red mahogany turpentine pier steel

SIZE: 195 x 45 x 35 (cm)

PRICE: SOLD

STATEMENT: From the dock of the bay........it wood a pier!

ARTIST BIO: A gentleman sculptor of the third age who, having no formal qualifications, always looks forward to the next unqualified success.

159.   ‘Apis’ by Marcela and Ash White (Ashtonfield)
159. ‘Apis’ by Marcela and Ash White (Ashtonfield)

MATERIAL: Stained glass, fabricated mild steel, reclaimed ironbark timber

SIZE: 190 x 120 x 40 (cm)

PRICE: $6,400

STATEMENT: Magnifying natures perfect geometric wonders with a rustic touch. We enjoy creating our own pieces inspired by our interpretation of life and nature by utilising our favourite mediums: stained glass and wood.

ARTIST BIO: A Hunter Valley based married couple specialising in creating outdoor unique sculptures and garden features, utilising stained glass and reclaimed Australian hardwood.

160.   ‘Scatter’ by Marcela and Ash White (Ashtonfield)
160. ‘Scatter’ by Marcela and Ash White (Ashtonfield)

MATERIAL: Stained glass, fabricated mild steel, swamp mahogany timber

SIZE: 330 x 50 x 5 (cm)

PRICE: $7,200

STATEMENT: Together in perfect symmetry before parting ways. We enjoy creating our own pieces inspired by our interpretation of life and nature by utilising our favourite mediums: stained glass and wood.

ARTIST BIO: A Hunter Valley based married couple specialising in creating outdoor unique sculptures and garden features, utilising stained glass and reclaimed Australian hardwood.

161.   ‘Tuned by hand’ by David  McElvenny (Maraylya)
161. ‘Tuned by hand’ by David McElvenny (Maraylya)

MATERIAL: Welded steel

SIZE: 300 x 120 x 120 (cm)

PRICE: $5,000

STATEMENT: ‘Tuned by hand’ represents a tuning fork held by a hand that is emerging from the ground.

ARTIST BIO: David McElvenny and Paul McElvenny are a father and son team. David has been an amateur wood carver for many years, often working with large pieces using a chainsaw. Paul is a metal worker and welder in his spare time. This is their first collaboration in a metal sculpture.

162.   ‘The Conversation’ by Bob Teasdale (Bowning)
162. ‘The Conversation’ by Bob Teasdale (Bowning)

MATERIAL: Corten steel and mild steel

SIZE: 190 x 50 x 50 (cm)

PRICE: SOLD

STATEMENT: This sculpture was inspired by watching my wife and 8 yr old grandson in deep conversation while working in our garden.

ARTIST BIO: I enjoy working with Corten steel, to create contemporary stylised sculptures. I also use old historical farm pieces in some designs. I have been exhibiting for the last 6 years, have won 3 awards and have 4 pieces in public sculpture walks as well as many in private collections.

164.   ‘Splash’ by John Fitzmaurice (North Avoca)
164. ‘Splash’ by John Fitzmaurice (North Avoca)

MATERIAL: 316 Marine Grade stainless steel. Mirror finish.

SIZE: 250 x 220 x 100 (cm)

PRICE: $49,500

STATEMENT: A homage to the curious giants of the sea that shine bright and illuminate the ocean with their annual playful migration.

ARTIST BIO: North Avoca sculptor John Fitzmaurice works in a variety of materials, with stainless steel being his favoured medium. Inspired by natural forms & everyday objects his works are transformed with abstraction & humour. John exhibits nationally, is commissioned for public art and is represented in many private and corporate collections.

165.   ‘Let it Burn’ by Alex Scheibner (Rylstone)
165. ‘Let it Burn’ by Alex Scheibner (Rylstone)

MATERIAL: Boiler plate

SIZE: 152 x 86 x 100 (cm)

PRICE: SOLD

STATEMENT: A sculptural witness of a landscape and its momento mori.

ARTIST BIO: Alex Scheibner trained as a blacksmith and mechanical fitter. It was a natural progression to move towards sculpture where years of developing both his understanding of the nature of metals and his metalworking skills could take on such varied applications.

166.   ‘Pipe Dreams’ by Tobias Bennett (Yanco)
166. ‘Pipe Dreams’ by Tobias Bennett (Yanco)

MATERIAL: Steel pipe, powder coat finish

SIZE: 220 x 120 x 120 (cm)

PRICE: $3,300

STATEMENT: Follow your pipe dreams. Who knows where they will lead you.

ARTIST BIO: Tobias Bennett creates a wide variety of sculpture predominantly from steel. Tobias finds infinite inspiration in nature and enjoys exploring both figurative and abstract forms.

167.   ‘Upside Down’ by Bob Teasdale (Bowning)
167. ‘Upside Down’ by Bob Teasdale (Bowning)

MATERIAL: Mild steel

SIZE: 160 x 40 x 40 (cm)

PRICE: $600

STATEMENT: Decided to try something different with pipe and this is what eventuated.

ARTIST BIO: I enjoy working with Corten steel to create contemporary stylised sculptures. I also use old historical farm pieces in some designs. I have been exhibiting for the last 6 years, have won 3 awards and have 4 pieces in public sculpture walks as well as many in private collections.

168.  ‘Red Stag’ by Tobias Bennett (Yanco)
168. ‘Red Stag’ by Tobias Bennett (Yanco)

MATERIAL: Steel pipe

SIZE: 240 x 240 x 160 (cm)

PRICE: $16,500

STATEMENT: Ode to the mighty red stag.

ARTIST BIO: Tobias Bennett creates a wide variety of sculpture predominantly from steel. Tobias finds infinite inspiration in nature and enjoys exploring both figurative and abstract forms.

169.  ‘Cube Stack #20’ by Alex Scheibner (Rylstone )
169. ‘Cube Stack #20’ by Alex Scheibner (Rylstone )

MATERIAL: Corten steel

SIZE: 215 x 70 x 50 (cm)

PRICE: $3,800

STATEMENT: A continued exploration of the cube stack series of works.

ARTIST BIO: Alex Scheibner trained as a blacksmith and mechanical fitter. It was a natural progression to move towards sculpture where years of developing both his understanding of the nature of metals and his metalworking skills could take on such varied applications.

170.   ‘Hand Forged Rocking Horse’ by Tobias Bennett (Yanco)
170. ‘Hand Forged Rocking Horse’ by Tobias Bennett (Yanco)

MATERIAL: Steel

SIZE: 120 x 150 x 80 (cm)

PRICE: $7,700

STATEMENT: Hand forged functional artwork.

ARTIST BIO: Tobias Bennett creates a wide variety of sculpture predominantly from steel. Tobias finds infinite inspiration in nature and enjoys exploring both figurative and abstract forms.

171.   ‘Inevitability’ by Simon Pankhurst (Bright)
171. ‘Inevitability’ by Simon Pankhurst (Bright)

MATERIAL: Forged steel

SIZE: 240 x 50 x 50 (cm)

PRICE: $11,500

STATEMENT: Just as its inevitable that things don't always go according to plan, isn't it inevitable that they will work out in the end.

ARTIST BIO: Simon Pankhurst is an Artist Blacksmith with a background in Landscape Architecture whose work combines traditional forge techniques and elements with modern metal fabrication technology. He has participated in a wide number of exhibitions across Australia as well as completing several public art commissions.

172.   ‘Hummingbird’ by Michael Ferris (Mudgee)
172. ‘Hummingbird’ by Michael Ferris (Mudgee)

MATERIAL: Steel-Rust patina

SIZE: 300 x 250 x 30 (cm)

PRICE: $7,000

STATEMENT: Taking inspiration from the effortless flight of a hummingbird. I wanted to recreate a mother feeding her young by using this simplistic and eye catching form.

ARTIST BIO: My work focuses on simple botanical form, challenging traditional methods to transform ordinary materials into something eye catching whilst revealing an unexpected form in a previously unseen way. I want my creations to look like they could have lived or grown somewhere.

173.   ‘Scarlet Woman’ by Peter Kasper (Emu Swamp)
173. ‘Scarlet Woman’ by Peter Kasper (Emu Swamp)

MATERIAL: Two pack painted fibreglass, stainless steel ball, powder coated steel base

SIZE: 230 x 110 x 110 (cm)

PRICE: $4,900

STATEMENT: Sexy woman!

ARTIST BIO: Born Switzerland, moved to Australia and now I live at Emu Swamp. My background is in engineering, and my interest is kinetic sculpture. I have exhibited in Mudgee and Orange andsold pieces in NSW, Queensland and Switzerland. I have one sculpture on public display in Lawson Park in Mudgee, and another one in the grounds of Mudgee Hospital.

174.   ‘Soar’ by Peter Kasper (Emu Swamp)
174. ‘Soar’ by Peter Kasper (Emu Swamp)

MATERIAL: Stainless steel and powder coated steel

SIZE: 260 x 280 x 280 (cm)

PRICE: $3,200

STATEMENT: Big gentle bird.

ARTIST BIO: Born Switzerland, moved to Australia and now I live at Emu Swamp. My background is in engineering, and my interest is kinetic sculpture. I have exhibited in Mudgee and Orange andsold pieces in NSW, Queensland and Switzerland. I have one sculpture on public display in Lawson Park in Mudgee, and another one in the grounds of Mudgee Hospital.

175.   ‘New England Stag’ by Julie Laurie (Gunnedah)
175. ‘New England Stag’ by Julie Laurie (Gunnedah)

MATERIAL: Steel rod

SIZE: 160 x 160 x 60 (cm)

PRICE: SOLD

STATEMENT: Known for its strength and grace. A true steel form.

ARTIST BIO: I have been working with galvanised wire for years. I have achieved success through this medium by transforming a rigid product into something active and full of movement. Most of my inspiration comes from animals and nature, and I enjoy exploring new mediums for my sculptures.

176.   ‘Tracy’ by Mark Joyce (Woy Woy)
176. ‘Tracy’ by Mark Joyce (Woy Woy)

MATERIAL: Recycled steel and enamel paint

SIZE: 250 x 90 x 50 (cm)

PRICE: $4,500

ARTIST STATEMENT: Open to one’s own interpretation.

ARTIST BIO: Certificate III in engineering; Welders ticket AS 1554; Completed boiler maker trade apprenticeship; Finalist 2019 Wildflower Art and Garden Festival; Finalist 2021 Ku-ring-gai Sculpture Trail; Finalist 2021 Sculpture in The Vineyards; Private commissions throughout QLD and NSW.

177.  ‘Asymetrical’ by Bob Teasdale (Bowning)
177. ‘Asymetrical’ by Bob Teasdale (Bowning)

MATERIAL: Corten steel

SIZE: 140 x 40 x 40 (cm)

PRICE: SOLD

STATEMENT: Our present topsy turvy world inspired me to create this sculpture.

ARTIST BIO: I enjoy working with Corten steel, to create contemporary stylised sculptures. I also use old historical farm pieces in some designs. I have been exhibiting for the last 6 years, have won 3 awards and have 4 pieces in public sculpture walks as well as many in private collections.

178.  ‘Eye See You’ by Joseph Apollonio (Sunbury)
178. ‘Eye See You’ by Joseph Apollonio (Sunbury)

MATERIAL: Carbon steel and rock

SIZE: 310 x 170 x 150 (cm)

PRICE: $15,000

STATEMENT: I have combined metal and rock to create the human eye on a vine, twisting and twirling within itself to reach the highest point. Just like how we all strive to reach the highest point of our chosen path in life.

ARTIST BIO: I enjoy working with metal, natural stone and recycled timber. I use my love for all things nature has to offer to model my creations. No matter the theme or design you will find an animal or flower represented in my work.

179.   ‘The Emu’ by François Jaggi (Armidale)
179. ‘The Emu’ by François Jaggi (Armidale)

MATERIAL: Stainless Steel 316 grade, fibreglass and glass

SIZE: 200 x 70 x 40 (cm)

PRICE: $6,830

STATEMENT: A trip to Broken Hill inspired me to create this whimsical bird. The way the unique colours and size of the emu contrasts against the everchanging Australian landscape is a sight to behold. I have aimed to capture these comical and somewhat bemused features.

ARTIST BIO: After studying at the Geneva School of Arts, I worked across Switzerland for Cartier and Rolex as a jewellery designer. I then moved to Australia where I found sculpture to be an exciting venture with limitless possibilities. I exhibit my works in Australia & internationally for corporate and private buyers.

180.   ‘Relic’ by Felix Feneley (Bondi)
180. ‘Relic’ by Felix Feneley (Bondi)

MATERIAL: Steel and concrete

SIZE: 220 x 75 x 75 (cm)

PRICE: $3,500

STATEMENT: The artist extends his preoccupation with the transmutability of industrial materials, so that the past and future collide. Raw materials have been eroded and transformed, appearing more totemic than industrial.

ARTIST BIO: Felix Feneley creates works that explore the relationship between matter and form. Using industrial and structural materials, Feneley imbues that weight with energy or a sense of flight. Feneley finds inspiration for his work in natural and man-made disasters, demolitions, dancers and boxers.

Featured
181.   ‘Built Defended Entertained’ by Toby Lewis (Mudgee)
181. ‘Built Defended Entertained’ by Toby Lewis (Mudgee)

MATERIAL: Metal

SIZE: 100 x 150 x 150 (cm)

PRICE: $8,500

STATEMENT: A tribute to the horses that built, defended and entertain this beautiful country. From farming and mining to the charge of the light brigade; logging rodeo to royal Randwick. They say Australia rides on the sheep’s back but they don’t go in the yards themselves. Built, Defended, Entertained.

ARTIST BIO: Toby Lewis was raised in the Wollar and Mudgee region. Growing up on his Grandfather’s farm and later going on to work on stations from Wilcannia to the Territory inspired his appreciation for the land and the animals that make outback Australia unique.

182. 'The Eye of Uncertainty' by Jeffrey Hallinan (Dubbo)
182. 'The Eye of Uncertainty' by Jeffrey Hallinan (Dubbo)

MATERIAL: Found metal items

SIZE: 190 x 52 x 52 (cm)

PRICE: $2,300

ARTIST STATEMENT: The Eye of uncertainty. Feeling stuck but knowing there will be some way forward. Just need to seek more information to find the solution.

ARTIST BIO: Based in Dubbo NSW Jeff Hallinan has been perfecting his welding craft for the past 45 years. Collecting steel in all shapes and forms for about the same length of time and enjoys giving previously useful items a new creative purpose or mixing piece up to create something new.

183.  ‘Peacock’ by Julie Laurie (Gunnedah)
183. ‘Peacock’ by Julie Laurie (Gunnedah)

MATERIAL: Galvanised wire and sandstone

SIZE: 90 x 50 x 40 (cm)

PRICE: SOLD

STATEMENT: Peacocks are known for their amazing tail feathers. They are fascinating creatures and are always a talking piece when noticed.

ARTIST BIO: For a number of years I have been working with galvanised wire. Through this medium I have achieved success by transforming a rigid product into something active and full of movement. Most of my inspiration comes from animals and nature, and I enjoy exploring new mediums for my sculptures.

184.   ‘Self portrait’ by Ludwig Mlcek (Cox Creek)
184. ‘Self portrait’ by Ludwig Mlcek (Cox Creek)

MATERIAL: Steel, Coreboard, High density EPS, polymer render, paint

SIZE: 170 x 90 x 60 (cm)

PRICE: $12,500

STATEMENT: Human figure has always been my favourite subject. In any form, from abstract to classical.

ARTIST BIO: Ludwig is a Czech born sculptor participating in sculpture symposiums in Europe and exhibiting in Australia regulary. He's been finalist at SXS Bondi, University of Western Sydney Sculpture Award, Scenic World, Yering Station Sculpture Prize and many more. Winner of Hunters Hill sculpture Prize, received Allens Arthur Robinson Scholarship 2007.

185.   ‘Fiery horses’ by Kenneth Smith (Ravensdale)
185. ‘Fiery horses’ by Kenneth Smith (Ravensdale)

MATERIAL: Recycled steel, horseshoes in a recycled frame

SIZE: 83 x 56 x 1 (cm)

PRICE: SOLD

STATEMENT: I enjoy making artworks in animal shapes by fusing recycled metal objects. This piece can be either fixed to a wall or remain on the stand.

ARTIST BIO: I began welding steel at an early age. I enjoy creating artworks by fusing together recycled metal objects and steel. I hope others will enjoy them too.

186.   ‘Dobe’ by John Grady (Trundle)
186. ‘Dobe’ by John Grady (Trundle)

MATERIAL: Old Pallet and No. 8 fencing wire

SIZE: 100 x 120 x 170 (cm)

PRICE: $10,000

STATEMENT: The kennel is made from old pallets with a metal frame. I used old No.8 fencing wire welded on to a frame for the dog. The dog is the exact measurement of a Doberman. Hence the name DOBE.

ARTIST BIO: John Grady from Trundle NSW a self-taught metal and wire artist. John first started making sculptures in 2006. The drought inspired John to produce metal garden art.

187.   ‘Come dance with me’ by Henryk Topolnicki (Dargan)
187. ‘Come dance with me’ by Henryk Topolnicki (Dargan)

MATERIAL: Rusted mild steel

SIZE: 250 x 140 x 8 (cm)

PRICE: SOLD

STATEMENT: As a long time admirer of contemporary ballet I felt that I should try to reflect it it my work.....so here it is.

ARTIST BIO: I am an artist developing works independently in response to private, public, gallery and competition commissions. This has been my occupation for the last 25 years. Over that period, public art became my main focus with many successful major projects. These days I am fully committed to private art practice.

188.   ‘Roosting peacock’ by Kenneth Smith (Ravensdale)
188. ‘Roosting peacock’ by Kenneth Smith (Ravensdale)

MATERIAL: Rio and recycled metal

SIZE: 178 x 120 x 3 (cm)

PRICE: SOLD

STATEMENT: I enjoy making bird shapes from recycled steel. This piece can be fixed to a wall OR left on the stand.

ARTIST BIO: I began welding steel at an early age. I enjoy creating artworks by fusing together recycled metal objects and steel. I hope others will enjoy them too.

189.  ‘Noise cancelling’ by Felicity Cavanough (Mudgee)
189. ‘Noise cancelling’ by Felicity Cavanough (Mudgee)

MATERIAL: Recycled copper

SIZE: 120 x 140 x 5 (cm)

PRICE: $2,200

STATEMENT: “I was surprised to learn abusers see themselves as the victim. In contrast, I discovered I'm the victim through counselling after two decades of abuse. I now have complex PTSD. I see his supporters as perpetrators by proxy of domestic abuse. I've learnt to block out their noise, finding beauty within. “

ARTIST BIO: Felicity Cavanough creates beautiful wiry sculptures. Winner of several prizes locally and nationally. Felicity's recent body of work represents quotes by survivors of domestic abuse. "For those who have lost their voice to this insidious psychological abuse, conditioned to believe they are worthless: I hear you, I believe you".

190.   ‘Stability’ by Michael Ferris (Mudgee)
190. ‘Stability’ by Michael Ferris (Mudgee)

MATERIAL: Stone & bridge timber plinth

SIZE: 200 x 70 x 30 (cm)

PRICE: SOLD

STATEMENT: Recreating the idea of balance using stones and a chunky bridge timber. Introducing a grand height to this piece to make a bold statement.

ARTIST BIO: My work focuses on simple botanical form, challenging traditional methods to transform ordinary materials into something eye catching whilst revealing an unexpected form in a previously unseen way. I want my creations to look like they could have lived or grown somewhere.

191.   ‘Three Individuals’ by David Perkins (Gundaroo)
191. ‘Three Individuals’ by David Perkins (Gundaroo)

MATERIAL: Mild steel

SIZE: 145 x 55 x 35 (cm)

PRICE: $3,200

STATEMENT: We might be three individuals, but we stand together!

192.   ‘Regeneration’ by Michael Ferris (Mudgee)
192. ‘Regeneration’ by Michael Ferris (Mudgee)

MATERIAL: Steel rings

SIZE: 150 x 80 x 80 (cm)

PRICE: SOLD

STATEMENT: This piece embodies the regeneration of Australian natives by employing repetition together with a simplistic shape to allow you to focus on the empty space created. This ‘empty space’ is the land in which ‘Watershed Landcare’ aims to heal and revitalise Australia’s rapid flora and fauna’s lose of habit. This piece makes a strong statement to the need for future development and education of Australian natural ecosystems.

ARTIST BIO: My work focuses on simple botanical form, challenging traditional methods to transform ordinary materials into something eye catching whilst revealing an unexpected form in a previously unseen way. I want my creations to look like they could have lived or grown somewhere.

193.   ‘Astral’ by Peter Kasper (Emu Swamp)
193. ‘Astral’ by Peter Kasper (Emu Swamp)

MATERIAL: Powder coated steel, stainless steel, stainless steel balls and brass

SIZE: 240 x 200 x 200 (cm)

PRICE: SOLD

STATEMENT: Celestial bodies.

ARTIST BIO: Born Switzerland, moved to Australia and now I live at Emu Swamp. My background is engineering and my interest is kinetic sculpture. I have exhibited in Mudgee and Orange, sold pieces in NSW, Queensland and Switzerland. One sculpture is in Lawson Park in Mudgee and one is at Mudgee Hospital.

194.   ‘Wedge Tailed Eagle’ by Stuart Taylor (Deniliquin)
194. ‘Wedge Tailed Eagle’ by Stuart Taylor (Deniliquin)

MATERIAL: Recycled scrap steel

SIZE: 150 x 120 x 100 (cm)

PRICE: $8,000

STATEMENT: I have used the shape of this eagle to create different textures and patterns. I like using rusty, rough cut steel to create a scrappy, bushy appearance.

ARTIST BIO: Stuart Taylor is a scrap metal artist based in Deniliquin, NSW. He works with material gathered from farms and scrap yards in his local area. Many of his sculptures can be viewed on public display around the Riverina and interstate. He has been working as a full time sculptor for 10 years.

195.  ‘Keats’ by Mark Cotton (Willoughby)
195. ‘Keats’ by Mark Cotton (Willoughby)

MATERIAL: Found and new steel, copper

SIZE: 35 x 35 x 35 (cm)

PRICE: SOLD

STATEMENT: There is a beauty in the most simple of rendered shapes.

ARTIST BIO: Mark came late to sculpture after a long career in equity markets. He likes to explore the textures and frailty of found steel, reimagining the rusty ordinary to something that's hopefully more interesting.

196.  ‘Untethered’ by Mark Cotton (Willoughby)
196. ‘Untethered’ by Mark Cotton (Willoughby)

MATERIAL: Found and new steel, copper

SIZE: 40 x 50 x 35 (cm)

PRICE: SOLD

STATEMENT: Presented with planes, flat shapes and outlines; a volume emerges that talks to them, joined, yet not.

ARTIST BIO: Mark came late to sculpture after a long career in equity markets. He likes to explore the textures and frailty of found steel, reimagining the rusty ordinary to something that's hopefully more interesting.

197.   ‘Butterfly’ by Frank Ware (Emu Swamp)
197. ‘Butterfly’ by Frank Ware (Emu Swamp)

MATERIAL: Recycled scrap metal

SIZE: 130 x 130 x 58 (cm)

PRICE: SOLD

STATEMENT: Is it art or a functional piece? The answer can only come from you. Sit back relax and watch the wild life while enjoying your garden.

ARTIST BIO: Frank works with old machinery parts and scrap metal, welding, blacksmithing and constructing to bring to life amazing functional creations. A favourite being bird feeders and baths as garden sculptures. Frank’s art breathes life back into old forgotten items.

198.   ‘Poppy’ by Michael Ferris (Mudgee)
198. ‘Poppy’ by Michael Ferris (Mudgee)

MATERIAL: Steel and Stone

SIZE: 180 x 220 x 30 (cm)

PRICE: SOLD

STATEMENT: What better way to celebrate spring than with blossoming flowers and new growth. Taking inspiration from the form of the poppy flower, to re-create something unexpected and eye catching with a modern twist

ARTIST BIO: My work focuses on simple botanical form, challenging traditional methods to transform ordinary materials into something eye catching whilst revealing an unexpected form in a previously unseen way. I want my creations to look like they could have lived or grown somewhere.

199.   ‘Masks’ by Robert Mullins (St Ives)
199. ‘Masks’ by Robert Mullins (St Ives)

MATERIAL: Ceramics, sleepers, external paint, galvanised steel

SIZE: 37 x 40 x 5 (cm)

PRICE: $800 (set of 3)

ARTIST BIO: Bob explores our relationship with the landscape as well as the stories we tell ourselves, through ceramics and sculpture. His interest in these themes was shaped by his journey from an Australian farm background through exposure to ancient Asian and American cultures while living and working internationally.

200.   ‘The Ram’ by John Grady (Trundle)
200. ‘The Ram’ by John Grady (Trundle)

MATERIAL: Recycled barbed wire and plain wire

SIZE: 105 x 50 x 150 (cm)

PRICE: $10,000

STATEMENT: I have used recycled barbed wire to represent the wool; the horn and skin are made from plain wire. I used a stick welder for the horns to give a different texture. An MIG welder was used on the face.

ARTIST BIO: John Grady from Trundle NSW a self-taught metal and wire artist. John first started making sculptures in 2006. The drought inspired John to produce metal garden art.

201.   ‘The Path’ by Jeffrey Hallinan (Dubbo)
201. ‘The Path’ by Jeffrey Hallinan (Dubbo)

MATERIAL: Found metal Items

SIZE: 130 x 25 x 25 (cm)

PRICE: SOLD

STATEMENT: The path to reaching your goals is never the direct path you thought it would be.

ARTIST BIO: Based in Dubbo NSW Jeff Hallinan has been perfecting his welding craft for the past 45 years. Collecting steel in all shapes and forms for about the same length of time and enjoys giving previously useful items a new creative purpose or mixing piece up to create something new.

202.   ‘Peacock’ by Frank Ware (Emu Swamp)
202. ‘Peacock’ by Frank Ware (Emu Swamp)

MATERIAL: Recycled scrap metal

SIZE: 130 x 130 x 49 (cm)

PRICE: SOLD

STATEMENT: Is it art or a functional piece? The answer can only come from you. Sit back, relax and watch the wild life while enjoying your garden.

ARTIST BIO: Frank works with old machinery parts and scrap metal, welding, blacksmithing and constructing to bring to life amazing functional creations. A favourite being bird feeders and baths as garden sculptures. Franks art breathes life back into old forgotten items.

203.   ‘The Garden’ by John Grady (Trundle)
203. ‘The Garden’ by John Grady (Trundle)

MATERIAL: Sheet metal, 6mm rod and rusty fence wire

SIZE: 150 x 400 x 400 (cm)

PRICE: Prices vary, please enquire

STATEMENT: I cut, bend, weld & grind sheet metal to form different plants. I have arranged the plants to look like a garden in your yard. Hardy, Drought Proof Plants.

ARTIST BIO: John Grady from Trundle NSW a self-taught metal and wire artist. John first started making sculptures in 2006. The drought inspired John to produce metal garden art.

204.   ‘Safari Dance’ by Julie Laurie (Gunnedah)
204. ‘Safari Dance’ by Julie Laurie (Gunnedah)

MATERIAL: Galvanised Wire and sandstone

SIZE: 140 x 140 x 170 (cm)

PRICE: SOLD

STATEMENT: The giraffe is such an elegant and shy creature. They show us grace and rhythm as they amble about.

ARTIST BIO: For a number of years I have been working with galvanised wire. Through this medium I have achieved success by transforming a rigid product into something active and full of movement. Most of my inspiration comes from animals and nature, and I enjoy exploring new mediums for my sculptures.

205.   ‘Coal’ by Andreas Buisman (Wien)
205. ‘Coal’ by Andreas Buisman (Wien)

MATERIAL: Norite from Adelong NSW

SIZE: 30 x 140 x 140 (cm)

PRICE: $25,000 (or can be bought separately for $8,500, $9,000, $10,000)

ARTIST STATEMENT: My stones are the whales of the land. While cruising Australia and other countries, I constantly search for them. In the lucky moments they will show their mighty bodies and make themselves visible. Polishing the rough skin for hours, I reveal their hidden identity; glimpsing the secret of continuance.

ARTIST BIO: Born in 1964 in Tyrol/Austria. Buisman is autodidact, crediting approximately 2,000 weathered granite boulders that became his main source of inspiration. A member of the Wiener Kuenstlerhaus Arthouse in Vienna since 2007 and exhibits worldwide. Public commissions in Australia include the Fred Hollows memorial in Bourke; Anzac memorial in Bombala; “Ciitzens” for the Walcha roundabout.

206.  ‘Dandelions x2’ by Matt Bye (Wagga Wagga)
206. ‘Dandelions x2’ by Matt Bye (Wagga Wagga)

MATERIAL: Steel

SIZE: 170 x 250 x 150 (cm)

PRICE: SOLD

ARTIST STATEMENT: Dandelion inspired though will not blow away in the wind.

ARTIST BIO: Self taught metal artist with 5 years in the industry. Owner and operated of Old N Dazed manufacturing sculptures and art on site.

207.   ‘Sunset Journey’ by Matt Bye (Wagga Wagga)
207. ‘Sunset Journey’ by Matt Bye (Wagga Wagga)

MATERIAL: Steel

SIZE: 330 x 470 x 200 (cm)

PRICE: $25,000

ARTIST STATEMENT: Where curves meet right angles, the sky drifts away to bring the promise of a new dawn. Even when everything else is uncertain, the sun will rise and the sun will set.

ARTIST BIO: Self taught metal artist with 5 years in the industry. Owner and operated of Old N Dazed manufacturing sculptures and art on site.

208.   ‘Telegraph Hills’ by Paul Bacon (Avalon)
208. ‘Telegraph Hills’ by Paul Bacon (Avalon)

MATERIAL: Mild steel, wax & oil

SIZE:17 x 41 x 6 (cm)

PRICE: SOLD

ARTIST BIO: B. 1963 Dip Fine Art. National Art School. Represented Maunsell Wickes Gallery. Represented in public and private collections.

209.   ‘Shooting star across the Ridge’ by Paul Bacon (Avalon)
209. ‘Shooting star across the Ridge’ by Paul Bacon (Avalon)

MATERIAL: Mild steel, wax & oil

SIZE: 60 x 60 x 15 (cm)

PRICE: $2,950

ARTIST BIO: B. 1963 Dip Fine Art. National Art School. Represented Maunsell Wickes Gallery. Represented in public and private collections.

210.   ‘Homage to Mr K’ by Mary Boland (Camperdown)
210. ‘Homage to Mr K’ by Mary Boland (Camperdown)

MATERIAL: Wood, found objects, acrylic paint

SIZE: 50 x 29 x 15 (cm)

PRICE: $480

ARTIST STATEMENT: Playing with shapes and working intuitively sounds like fun, but it isn't really, because thinking is hard. When it gets too hard I go back, panting, to Kandinsky. A small tribute!

ARTIST BIO: Mary has completed a Diploma in Fine Art at the See St Gallery School, Meadowbank TAFE. Committed to recycling, she works in discarded material and found objects. Her work focuses on the notion that things are rarely as they seem.

Featured
211.  ‘Gone to Town’ by Mary Boland (Camperdown)
211. ‘Gone to Town’ by Mary Boland (Camperdown)

MATERIAL: Wood, aluminium, old industrial patterns, found objects, acrylic paint

SIZE: 60 x 73 x 26 (cm)

PRICE: SOLD

ARTIST STATEMENT: Going to town: whether it's the CBD, the pub, store or something in between involves a shift of movement and mind. You come back and then go again and again and....

ARTIST BIO: Mary has completed a Diploma in Fine Art at the See St Gallery School, Meadowbank TAFE. Committed to recycling, she works in discarded material and found objects. Her work focuses on the notion that things are rarely as they seem.

212.   ‘The Majestic Equality of the Law’ by Mary Boland (Camperdown)
212. ‘The Majestic Equality of the Law’ by Mary Boland (Camperdown)

MATERIAL: Moulded plaster, found objects, wood, shellac, acrylic paint

SIZE: 30 x 31 x 13 (cm)

PRICE: $540

ARTIST STATEMENT: "The majestic equality of the law which forbids both rich and poor alike to sleep under bridges, beg in the street and steal loaves of bread." Anatole France. 1844 -1924. The colours are those of the robes of current justices of the district court of NSW.

ARTIST BIO: Mary has completed a Diploma in Fine Art at the See St Gallery School, Meadowbank TAFE. Committed to recycling, she works in discarded material and found objects. Her work focuses on the notion that things are rarely as they seem.

213.   ‘Native Foliage’ by Katherine Castillo Alferez (Manly)
213. ‘Native Foliage’ by Katherine Castillo Alferez (Manly)

MATERIAL: Bronze on stainless steel plate

SIZE: 70 x 20 x 25 (cm)

PRICE: $15,000

ARTIST STATEMENT: Just by admiring my surroundings, while investigating the colours, shapes and behaviour of all plants and animals I see in this beautiful country, we create a sense of belonging. We become part of the native foliage that grows on each land. Edition 1/20.

ARTIST BIO: Katherine loves to explore the abstract form prevalent in her surrealistic pieces. However, this is inspired by her fascination for figurative art (Colombian born). Established Manly Sculpture School in 2020. She has also has been awarded 1st place at Harbour exhibition Balmain, NSW.

214.   ‘Roots’ by Felicity Cavanough (Mudgee)
214. ‘Roots’ by Felicity Cavanough (Mudgee)

MATERIAL: Recycled copper

SIZE: 210 x 95 x 10 (cm)

PRICE: SOLD

ARTIST STATEMENT: "His lies took hold of me for so long but the truth is there, buried deep, somewhere at the tip of the root". He is not the victim. He'd pretend that my screams of frustration in response to his lies and coercive control was him suffering abuse".

ARTIST BIO: Felicity Cavanough creates beautiful wiry sculptures. Winner of several prizes locally and nationally. Felicity's recent body of work represents quotes by survivors of domestic abuse. "For those who have lost their voice to this insidious psychological abuse, conditioned to believe they are worthless: I hear you, I believe you".

215.   ‘Safe’ by Felicity Cavanough (Mudgee)
215. ‘Safe’ by Felicity Cavanough (Mudgee)

MATERIAL: Tie Wire

SIZE: 150 x 120 x 2 (cm)

PRICE: SOLD

ARTIST STATEMENT: "I just want our kids to be safe. I want them to know that they are enough. Worthwhile. Not laughed at or ridiculed by his smug remarks. I know that his childhood led him to this personality type. To bring others down, always denying his wrong doings, only protecting himself."

ARTIST BIO: Felicity Cavanough creates beautiful wiry sculptures. Winner of several prizes locally and nationally. Felicity's recent body of work represents quotes by survivors of domestic abuse. "For those who have lost their voice to this insidious psychological abuse, conditioned to believe they are worthless: I hear you, I believe you".

216.   ‘Ploum I’ by Minuella E Chapman (Strawberry Hills)
216. ‘Ploum I’ by Minuella E Chapman (Strawberry Hills)

MATERIAL: Mixed media/corrugated iron/gypsum/pigments

SIZE: 90 x 20 x 20 (cm)

PRICE: $1,800

ARTIST STATEMENT: Titled 'Ploum' these sculptures have been inspired by WB Yeats poems and the iconography of Greco-Roman artefacts and its rich cultural heritage. Constructed using corrugated iron with colour pigments and mixed media, they evoke the idea of a harmonious existence with nature.

ARTIST BIO: Minuella E Chapman is a multi-award-winning sculptor and designer, who employs a combination of techniques in her artwork to create poetically assembled sculptures. Based in Sydney, she is a recipient of various awards and residencies, a graduate of COFA, UNSW and QCA, Brisbane and has an extensive international exhibition history.

217.   ‘Ploum II’ by Minuella E Chapman (Strawberry Hills)
217. ‘Ploum II’ by Minuella E Chapman (Strawberry Hills)

MATERIAL: Corrugated iron/gypsum/mixed media/pigments

SIZE: 90 x 20 x 20 (cm)

PRICE: $1,800

ARTIST STATEMENT: Titled 'Ploum' these sculptures have been inspired by WB Yeats poems and the iconography of Greco-Roman artefacts and its rich cultural heritage. Constructed using corrugated iron with colour pigments and mixed media, they evoke the idea of a harmonious existence with nature.

ARTIST BIO: Minuella E Chapman is a multi-award-winning sculptor and designer, who employs a combination of techniques in her artwork to create poetically assembled sculptures. Based in Sydney, she is a recipient of various awards and residencies, a graduate of COFA, UNSW and QCA, Brisbane and has an extensive international exhibition history.

218.   ‘Pole Dancing Possum’ by Keith Chidzey (Yowie Bay)
218. ‘Pole Dancing Possum’ by Keith Chidzey (Yowie Bay)

MATERIAL: Mixed media (celery top pine, bronze, mahogany)

SIZE: 35 x 60 x 25 (cm)

PRICE: $960

ARTIST STATEMENT: A playful depiction of one of our locals.

ARTIST BIO: I am a sculptor and land artist, driven by a desire to highlight beauty in the world. Many years of study in Fine Arts, including researching into fire as a method of visual expression, culminated in an M.F.A. (UNSW). My practice currently utilizes timber and bronze whilst incorporating other materials.

219.   ‘Recumbent Nude’ by Pamela Drewitt Smith (Frenchs Forest)
219. ‘Recumbent Nude’ by Pamela Drewitt Smith (Frenchs Forest)

MATERIAL: Bronze on a black granite base

SIZE: 14 x 40 x 27 (cm)

PRICE: $4,750

ARTIST STATEMENT: I sculpt from drawings sketched with a nude model. The human body represents universal human experiences and emotions and transcends cultures and timelines. It’s a source of inspiration and an ongoing challenge.

ARTIST BIO: Member of the Sculptors Society of NSW. Finalist in the Bermagui Sculpture Prize 2021; Northern Beaches Sculpture Prize 2019; Hunters Hill Art Prize 2019; Toorak Village Sculpture prize 2019; Sculpture in the Valley Prize 2017; Jindivick Sculpture Prize 2017. Northbridge Art Prize 2017; Ubuntu Art Charity Show 2012; Trevisan Art International 2011.

220.  ‘Sirens’ by Kim Elliott (Seaforth)
220. ‘Sirens’ by Kim Elliott (Seaforth)

MATERIAL: Bronze, silver patina

SIZE: 25 x 25 x 25 (cm)

PRICE: $5,000

ARTIST STATEMENT: I ultimately want the viewer to discover their own path. I am always inspired by the beauty of form and gesture. Capturing subtle emotion is the goal and challenge. This piece was part of a series which all started with the beautiful texture of petrified Mangrove wood from our farm.

ARTIST BIO: Kim specialises in figurative sculpture and teaches at the Sydney Sculpture School. Based in Sydney, she started sculpting in Los Angeles at The Brentwood School of Fine Arts. Kim is inspired to capture the beauty of form, expression and gesture. The majority of her work is cast in bronze and glass.

221.   ‘Waiting for George - Banaby’ by Harrie Fasher (Portland)
221. ‘Waiting for George - Banaby’ by Harrie Fasher (Portland)

MATERIAL: Unique bronze

SIZE: 19 x 29 x 8 (cm)

PRICE: SOLD

ARTIST STATEMENT: “Waiting for George” was cast in the inaugural pour at the Portland Foundry. She was made in memory of George Dixon, a young modern day Australian renaissance man, as comfortable in the company of Jazz musicians as in a shearing shed. The horse waits for George, as we hold his memory alight. Artist represented by King Street Gallery on William.

222.   ‘Rising’ by Harrie Fasher (Portland)
222. ‘Rising’ by Harrie Fasher (Portland)

MATERIAL: Unique bronze

SIZE: 14 x 11 x 15 (cm)

PRICE: SOLD

ARTIST STATEMENT: “Rising” was made during the regional lockdown when the coronavirus took hold of NSW. She is one of the first sculptures made entirely in my studio and the Portland Foundry; housed in The Foundations, the heritage listed former Portland Cement Works.

ARTIST BIO: Artist represented by King Street Gallery on William.

223.   ‘Encounter (Maquette)’ by John Fitzmaurice (North Avoca)
223. ‘Encounter (Maquette)’ by John Fitzmaurice (North Avoca)

MATERIAL: 316 Polished stainless steel. Base: blackbutt timber with oil finish.

SIZE: 23 x 32 x 16 (cm)

PRICE: SOLD

ARTIST STATEMENT: Encounter is a modern interpretation of a diving whale. This is the one/tenth scale maquette of the full-size sculpture that is now installed in the forecourt of the new Mudgee Regional Art Gallery.

ARTIST BIO: North Avoca sculptor John Fitzmaurice works in a variety of materials, with stainless steel being his favoured medium. Inspired by natural forms and everyday objects his works are transformed with abstraction and humour. John exhibits nationally, is commissioned for public art and is represented in many private and corporate collections.

224.   ‘Red Feet Small Walking Bird’ by Peter Griffen (Leichhardt)
224. ‘Red Feet Small Walking Bird’ by Peter Griffen (Leichhardt)

MATERIAL: Found wood, acrylic paint, string

SIZE: 50 x 30 x 40 (cm)

PRICE: $750

ARTIST STATEMENT: The body, found cut for a country fire place; legs and wings are made from twigs, paint and string; hopefully amusing but also of some intellectual value. Thank you Miro.

ARTIST BIO: Peter Griffen has been the subject of many solo exhibitions in Australia, London, France and New York. He has also taken part in group exhibitions nationally and internationally, including art fairs in UK, Europe, Canada, Singapore and Hong Kong from 1972-2021. He has been represented in Sydney, Melbourne, Canberra, Adelaide, Perth, Brisbane, Gold Coast, London, Copenhagen, Paris, and the South of France.

225.   ‘Bird Yellow’ by Peter Griffen (Leichhardt)
225. ‘Bird Yellow’ by Peter Griffen (Leichhardt)

MATERIAL: Found wood, golf ball, acrylic paint

SIZE: 90 x 50 x 20 (cm)

PRICE: $750

ARTIST STATEMENT: Bird Yellow; influenced by totems of the first peoples, folk art and fuelled by a desire to create a quirkiness in art that opens new ways of thinking and seeing.

ARTIST BIO: Peter Griffen has been the subject of many solo exhibitions in Australia, London, France and New York. He has also taken part in group exhibitions nationally and internationally, including art fairs in UK, Europe, Canada, Singapore and Hong Kong from 1972-2021. He has been represented in Sydney, Melbourne, Canberra, Adelaide, Perth, Brisbane, Gold Coast, London, Copenhagen, Paris, and the South of France.

226.   ‘Catch Me If You Can’ by Ellenore Griffith (Kirribilli)
226. ‘Catch Me If You Can’ by Ellenore Griffith (Kirribilli)

MATERIAL: Welded mild steel sand blasted, powder coated

SIZE: 53 x 100 x 30 (cm)

PRICE: $3,200

ARTIST STATEMENT: This red sculpture has a grounded main body with an extension into the beyond. There is a small piece of steel not attached to the main body – somewhat escaping – but where to or to what. A sometime wish within us all.

ARTIST BIO: Studied Medicine Sydney University MBBS. Attended NAS short terms and summer schools 2010-2021. Solo exhibition Lane Cove Gallery. Group exhibitions Sydney and Rural NSW. Commissions Australia and Overseas. Represented in private collections

227.  ‘Unearthed’ by Amanda Harrison (Greenwich)
227. ‘Unearthed’ by Amanda Harrison (Greenwich)

MATERIAL: Ceramic

SIZE: 36 x 20 x 16 (cm)

PRICE: SOLD

ARTIST STATEMENT: The parents watch over the child, loving and secure. The earthy colours of the group suggest strength and security, while the lines suggest the contours of a landscape of weathered stones, ancient and unmoving.

ARTIST BIO: After careers in film and graphics, Amanda now works from her Sydney studio, creating sculptures in ceramics and metal. She loves creating the human figure, looking for simplicity, joy, life and love in the form. Amanda has exhibited widely and won numerous prizes, including 2 acquisitive prizes in 2020.

228.  ‘Mother’ by Adam Humphreys (Duri)
228. ‘Mother’ by Adam Humphreys (Duri)

MATERIAL: Steel and concrete

SIZE: 93 x 50 x 40 (cm)

PRICE: $5,000

ARTIST STATEMENT: A tribute to mothers throughout the world, the sacrifice that they go through and the joy they bring. To be able to make humans, is a gift to be celebrated, along with the shape of the process. This shape, this beauty.

ARTIST BIO: Adam Humphreys began carving his creative path in Wales 12 years ago quite literally with a chainsaw. Since then he has exhibited in countries such as Botswana, New Zealand, and of course, Australia. His preferred medium has evolved to steel and inspiration comes predominantly from his love of the horse.

229.  ‘Drinking Horse 1’ by Adam Humphreys (Duri)
229. ‘Drinking Horse 1’ by Adam Humphreys (Duri)

MATERIAL: Steel and concrete

SIZE: 50 x 25 x 33 (cm)

PRICE: $6,500

ARTIST STATEMENT: There are no straight lines synonymous with horses yet the beauty, strength and finesse can be captured in such an angular way. This is what I wanted to achieve with this sculpture and to do the original in mild steel makes it even more of a challenge. Edition: 1/24

ARTIST BIO: Adam Humphreys began carving his creative path in Wales 12 years ago quite literally with a chainsaw. Since then he has exhibited in countries such as Botswana, New Zealand, and of course, Australia. His preferred medium has evolved to steel and inspiration comes predominantly from his love of the horse.

230.   ‘Clancy of the Overflow’ by Adam Humphreys (Duri)
230. ‘Clancy of the Overflow’ by Adam Humphreys (Duri)

MATERIAL: Cast bronze, Ironbark base

SIZE: 30 x 20 x 40 (cm)

PRICE: SOLD

ARTIST STATEMENT: Inspired by AB Patterson’s verses, the story of this cowboy can be clearly read in his bow-legged step and his weathered demeanour. It’s been a long day for both, but the bond remains strong. Edition 1/24

ARTIST BIO: Adam Humphreys began carving his creative path in Wales 12 years ago quite literally with a chainsaw. Since then he has exhibited in countries such as Botswana, New Zealand, and of course, Australia. His preferred medium has evolved to steel and inspiration comes predominantly from his love of the horse.

231.   ‘Hooked’ by Peter Kasper (Emu Swamp)
231. ‘Hooked’ by Peter Kasper (Emu Swamp)

MATERIAL: Stainless steel, Australian cypress and granite base

SIZE: 35 x 40 x 40 (cm)

PRICE: SOLD

ARTIST STATEMENT: Hook, line and sinker!

ARTIST BIO: Born in Switzerland, moved to Australia and now I live in Emu Swamp. My background is in engineering and my interest is kinetic sculpture. I have exhibited in Mudgee and Orange and have sold pieces in NSW, Queensland and in Switzerland. I currently have two sculptures on public display in Mudgee: one is in Lawson Park in Mudgee and the other is in the grounds of the Mudgee Hospital.

232.  ‘Running girl’ by Katy Knighton (Lancefield)
232. ‘Running girl’ by Katy Knighton (Lancefield)

MATERIAL: Unique bronze

SIZE: 23 x 8 x 12 (cm)

PRICE: SOLD

ARTIST STATEMENT: This barefoot girl, having taken off her shoes to run, is caught in a moment of flux.

ARTIST BIO: A regular exhibitor at SIG, Katy specialises in small figurative bronzes. She has also exhibited larger work at Tesselaar, Neerim Bower, and Melbourne International Flower and Garden show (winning People's Choice award).

233.  ‘Buella’ by Emilia Krumm (Lisarow)
233. ‘Buella’ by Emilia Krumm (Lisarow)

MATERIAL: Bronze, sandstone, granite

SIZE: 12 x 20 x 20 (cm)

PRICE: SOLD

ARTIST BIO: The Conduit Collaboration is 3 independent works united by illumination. These artworks are individual statements but also capture the ethereal quality of connection to another reality. Therese Wilkins, Lisa McArthur Edwards, and Emilia Krumm have united their interpretations and created a light connection between them.

234.   ‘The Great Escape’ by Alan Kuczynski (Seaforth)
234. ‘The Great Escape’ by Alan Kuczynski (Seaforth)

MATERIAL: Bronze

SIZE: 28 x 24 x 17 (cm)

PRICE: SOLD

ARTIST STATEMENT: For some people, books are a place to escape to. Escape into another world and adventure. For a student at the end of their exams, they may want to escape from their books. However you look at it, books are a great escape.

ARTIST BIO: Alan’s sculptures aren’t overly detailed nor focused on being anatomically accurate. His aim is to capture emotion and movement. Each sculpture has a story – some whimsical, some serious, some sad. Alan has exhibited extensively in Sydney, Melbourne, and Milan. His sculptures have been purchased by collectors all over the world.

235.  ‘It's All About Attitude’ by Alan Kuczynski (Seaforth)
235. ‘It's All About Attitude’ by Alan Kuczynski (Seaforth)

MATERIAL: Bronze on steel

SIZE: 15 x 20 x 20 (cm)

PRICE: SOLD

ARTIST STATEMENT: We see people waiting in a queue with blank faces and hunched shoulders. One person chooses not to focus on the boredom of standing in a line, but on the excitement of what’s at the end of it.

ARTIST BIO: Alan’s sculptures aren’t overly detailed nor focused on being anatomically accurate. His aim is to capture emotion and movement. Each sculpture has a story – some whimsical, some serious, some sad. Alan has exhibited extensively in Sydney, Melbourne, and Milan. His sculptures have been purchased by collectors all over the world.

236.  ‘Nothing To Hide’ by Alan Kuczynski (Seaforth)
236. ‘Nothing To Hide’ by Alan Kuczynski (Seaforth)

MATERIAL: Bronze on granite

SIZE: 40 x 40 x 17 (cm)

PRICE: $5,900

ARTIST STATEMENT: Many people, perhaps through humility or shyness or fearing being vulnerable, don’t want others to see who they really are. The peacock, takes the opposite approach. It shows its feather with pride wanting to be appreciated for what it is.

ARTIST BIO: Alan’s sculptures aren’t overly detailed nor focused on being anatomically accurate. His aim is to capture emotion and movement. Each sculpture has a story – some whimsical, some serious, some sad. Alan has exhibited extensively in Sydney, Melbourne, and Milan. His sculptures have been purchased by collectors all over the world.

237.  ‘Acro Balance 1’ by Helena Lillywhite (Randwick)
237. ‘Acro Balance 1’ by Helena Lillywhite (Randwick)

MATERIAL: Bronze

SIZE: 25 x 36 x 12 (cm)

PRICE: $3,250

ARTIST STATEMENT: Acro Balance 1 is part of a series exploring balance, strength and resilience. The marks on the surface represent knowledge and scars that are formed as we grow and experience life, becoming internally strong through experience.

ARTIST BIO: Informed by life and nature, Lillywhite’s work incorporates the use of flat planes constructed together to produce a whole form. She likes to show strength and emotion in her work, and often uses figures and horses as her subject matter to capture this.

238.  ‘Acro Balance 2’ by Helena Lillywhite (Randwick)
238. ‘Acro Balance 2’ by Helena Lillywhite (Randwick)

MATERIAL: Bronze

SIZE: 29 x 32 x 10 (cm)

PRICE: $3,250

ARTIST STATEMENT: Acro Balance 2 is part of a series exploring balance, strength and resilience. The marks on the surface represent knowledge and scars that are formed as we grow and experience life, becoming internally strong through experience.

ARTIST BIO: Informed by life and nature, Lillywhite’s work incorporates the use of flat planes constructed together to produce a whole form. She likes to show strength and emotion in her work, and often uses figures and horses as her subject matter to capture this.

239.  ‘Amphora Vessel No 2B’ by Denise Lithgow (Leichhardt)
239. ‘Amphora Vessel No 2B’ by Denise Lithgow (Leichhardt)

MATERIAL: Felt merino & crossbreed wool, yarns, metal stand

SIZE: 110 x 40 x 27 (cm)

PRICE: SOLD

ARTIST STATEMENT: The Amphora vessel is about storing the fruits of life, food, water and wines. Wine has spread around the word through trade, religious missions and colonisation so the story naturally leads to how wine gets from one place to another. This is the purpose of the Amphora Vessels.

ARTIST BIO: Denise exhibits her work widely in Australia and internationally. She has won prizes in Canada, Ukraine, the UK and was recently a finalist in Australian Textile Art Awards. In 2021 she participated in a group exhibition in the Netherlands and won highly commended in the Bowral Sculptural prize.

240.  ‘Amphora Vessel No 3B’ by Denise Lithgow (Leichhardt)
240. ‘Amphora Vessel No 3B’ by Denise Lithgow (Leichhardt)

MATERIAL: Felt merino & crossbreed wool, yarns, metal stand

SIZE: 92 x 42 x 27 (cm)

PRICE: $1,100

ARTIST STATEMENT: Amphora vessels were the ancient worlds’ standardised way to transport the fruits of life, food, water & wine. Two expansive handles allowed easier carrying and a long slim neck sealed with reed stoppers, reduced the surface area to prevent oxidation of the wine.

ARTIST BIO: Denise exhibits her work widely in Australia and Internationally and her works have been selected Canada, Ukraine,UK and recently a finalist in Australian Textile Art Awards. In 2021 she participated in a group exhibition in the Netherlands and won highly commended in the Bowral Sculptural prize.

Featured
241.  ‘Amphora Vessel No 5B’ by Denise Lithgow (Leichhardt)
241. ‘Amphora Vessel No 5B’ by Denise Lithgow (Leichhardt)

MATERIAL: Felt merino & crossbreed wool, yarns, metal stand

SIZE: 77 x 37 x 20 (cm)

PRICE: $950

ARTIST STATEMENT: Amphora vessels were the ancient worlds’ standardised way to transport the fruits of life, food, water & wine. Two expansive handles allowed easier carrying and a long slim neck sealed with reed stoppers, reduced the surface area to prevent oxidation of the wine.

ARTIST BIO: Denise exhibits her work widely in Australia and Internationally and her works have been selected Canada, Ukraine,UK and recently a finalist in Australian Textile Art Awards. In 2021 she participated in a group exhibition in the Netherlands and won highly commended in the Bowral Sculptural prize.

242.  ‘Tribute to the Giving Tree’ by Liz Mayberry (Mudgee)
242. ‘Tribute to the Giving Tree’ by Liz Mayberry (Mudgee)

MATERIAL: Eucalyptus, cane, iris & combungi leaves

SIZE: 30 x 60 x 30 (cm)

PRICE: $295

ARTIST STATEMENT: When the street tree gifted me this branch in lockdown I decided to create a basket with the essence of ‘home’. The iris grows in my garden, and the Combungie grows in a storm drain close by.

ARTIST BIO: Finding materials in nature and creating either a practical object or a thing of beauty is a passion of Liz Mayberry. She finds inspiration to weave or transform materials that would otherwise just lie on the ground and eventually decay back into the earth.

243.  ‘Fractured Time’ by Roger McFarlane (Newcastle)
243. ‘Fractured Time’ by Roger McFarlane (Newcastle)

MATERIAL: Bronze, granite and mixed media

SIZE: 52 x 43 x 19 (cm)

PRICE: $2,200

ARTIST STATEMENT: A representation of what happens when you try and stop or interfere with time. The figure is trying to stop time. The earth opens up and catastrophe occurs.

ARTIST BIO: The work is mounted on a black plinth which I will provide.

244.  ‘Armchair Sailor’ by Roger McFarlane (Newcastle)
244. ‘Armchair Sailor’ by Roger McFarlane (Newcastle)

MATERIAL: Carrara Marble, paint and patina

SIZE: 60 x 45 x 24 (cm)

PRICE: $2,500

ARTIST STATEMENT: Depicts the imaginings of an armchair sailor reading a book of sailing voyages. The sail is set, water washes over the floor and the book is somewhat wet and water damaged. All the while he is safe in his comfortable armchair.

ARTIST BIO: Roger has a Bachelor of Fine Art from the University of Newcastle NSW. He works in marble, bronze and granite. He has exhibited in over 70 exhibitions in Australia and overseas. He has Public Sculptures in Australia, South Korea, Brazil and Switzerland. Both public and private collections.

245.  ‘Eye of Anu 1.1’ by Fraser the Razor (Seaforth)
245. ‘Eye of Anu 1.1’ by Fraser the Razor (Seaforth)

MATERIAL: Mild steel

SIZE: 22 x 13 x 9 (cm)

PRICE: SOLD

ARTIST STATEMENT: Inspired by new growth in Spring; this work gives a free flowing form to the hard, rigid material. The organic form emerges out of a geometric frame with a sense of energy, life and spirit.

ARTIST BIO: Fraser the Razor is an emerging sculptor based on the Northern Beaches in Sydney. Working mostly in steel, Fraser has exhibited in gallery exhibitions and outdoor sculpture shows locally, regionally and interstate. Fraser draws inspiration from Australian flora and fauna and the environmental issues they face.

246.   ‘Eye of Anu 1.2’ by Fraser the Razor (Seaforth)
246. ‘Eye of Anu 1.2’ by Fraser the Razor (Seaforth)

MATERIAL: Mild steel

SIZE: 26 x 16 x 8 (cm)

PRICE: SOLD

ARTIST STATEMENT: Inspired by new growth in Spring, this work gives a free flowing form to the hard, rigid material. The organic form emerges out of a geometric frame with a sense of energy, life and spirit.

ARTIST BIO: Fraser the Razor is an emerging sculptor based on the Northern Beaches in Sydney. Working mostly in steel, Fraser has exhibited in gallery exhibitions and outdoor sculpture shows locally, regionally and interstate. Fraser draws inspiration from Australian flora and fauna and the environmental issues they face.

247.   ‘Eye of Anu 1.3’ by Fraser the Razor (Seaforth)
247. ‘Eye of Anu 1.3’ by Fraser the Razor (Seaforth)

MATERIAL: Mild steel

SIZE: 24 x 14 x 15 (cm)

PRICE: $500

ARTIST STATEMENT: Inspired by new growth in Spring, this work gives a free flowing form to the hard, rigid material. The organic form emerges out of a geometric frame with a sense of energy, life and spirit.

ARTIST BIO: Fraser the Razor is an emerging sculptor based on the Northern Beaches in Sydney. Working mostly in steel, Fraser has exhibited in gallery exhibitions and outdoor sculpture shows locally, regionally and interstate. Fraser draws inspiration from Australian flora and fauna and the environmental issues they face.

248.  ‘Erosion x3’ by Lachlan McLean (Redfern)
248. ‘Erosion x3’ by Lachlan McLean (Redfern)

MATERIAL: Timber

SIZE: 50 x 70 x 5 (cm)

PRICE: SOLD

ARTIST STATEMENT: Combining digital modelling methods with robotic CNC Milling, ‘Erosion’ emulates patterns inspired by nature.

ARTIST BIO: Lachlan Mclean studio focuses on a range of mediums, including sculpture, installation and architecture We explore ideas of materiality and focus highly on connecting people through collaborative and interactive projects.

249.  ‘Flowering of the mind’ by Brett Anthony Moore (Miranda)
249. ‘Flowering of the mind’ by Brett Anthony Moore (Miranda)

MATERIAL: Recycled synthetic polymer acrylic paint skin, steel and iron wood

SIZE: 110 x 29 x 29 (cm)

PRICE: $2,800

ARTIST STATEMENT: Through ancient Vedic teachings and philosophy and the writing of Malarme, ‘Flowering of the mind’ is a personal journey into the layers that make up oneself and the enlightened process of self-discovery.

ARTIST BIO: Graduating from The National Art School in 2020, Brett has had successful solo and group shows locally and internationally. Brett's work will be represented by The National Art School in this years Sydney Contemporary art fair.

250.  ‘The twist of life’ by Kay Norton-Knight (Mudgee)
250. ‘The twist of life’ by Kay Norton-Knight (Mudgee)

MATERIAL: Bed spring and wire

SIZE: 30 x 20 x 20 (cm)

PRICE: SOLD

251.  ‘Cruising’ by Micha Nussinov (Paddington)
251. ‘Cruising’ by Micha Nussinov (Paddington)

MATERIAL: Mixed media

SIZE: 79 x 60 x 50 (cm)

PRICE: $2,200

ARTIST STATEMENT: Unlikely items, found objects and used materials are juxtaposed to create a unique narrative. Used small sanding belt rings are bonded to create the protagonist steering this unlikely ship of parts. Almost a raft, supported by recycled water bottles, will it float?

ARTIST BIO: Graduated Diploma in Film Technique London, worked as Director Cinematographer of conceptual films. Received many prizes and acknowledgments for sculpture through Sculptural Society. As a multi-disciplinary artist my creativity is linked through a maze of associations. I do not draw an idea and follow the line, but let things evolve.

252.  ‘Creature with a swivel’ by Micha Nussinov (Paddington)
252. ‘Creature with a swivel’ by Micha Nussinov (Paddington)

MATERIAL: Mixed media

SIZE: 43 x 63 x 58 (cm)

PRICE: $2,600

ARTIST STATEMENT: An assemblage of carved pieces creating a fantastic creature. The creature’s neck and head swivel off its back, wings are shaped for flight, legs are solid carved and reliable. A ‘carousel’ of double sided small paintings rotate on its back.

ARTIST BIO: Graduated Diploma in Film Technique London, worked as Director Cinematographer of conceptual films. Received many prizes and acknowledgments for sculpture through Sculptural Society. As a multi-disciplinary artist my creativity is linked through a maze of associations. I do not draw an idea and follow the line, but let things evolve.

253.  ‘Insect B1’ by Micha Nussinov (Paddington)
253. ‘Insect B1’ by Micha Nussinov (Paddington)

MATERIAL: Mixed media

SIZE: 43 x 47 x 34 (cm)

PRICE: $1,450

ARTIST STATEMENT: Insect B1 is assembled from various discarded parts to morph into a new being. A coiled spring, an old glass bottle, a discarded drill bit come to life exploring notions of strength and fragility and possibilities of transformation.

ARTIST BIO: Graduated Diploma in Film Technique London, worked as Director Cinematographer of conceptual films. Received many prizes and acknowledgments for sculpture through Sculptural Society. As a multi-disciplinary artist my creativity is linked through a maze of associations. I do not draw an idea and follow the line, but let things evolve.

254.   ‘Haul’ by Nicole O'Regan (Sodwalls)
254. ‘Haul’ by Nicole O'Regan (Sodwalls)

MATERIAL: Black basalt, galvanised wire

SIZE: 33 x 55 x 15 (cm)

PRICE: SOLD

ARTIST STATEMENT: I have created this sculpture using black basalt, one of the hardest rocks. Depicting the burdens and strength of what we are all facing at the moment.

ARTIST BIO: Nicole has been working as an art fabricator for the last 8 years. She’s also been exhibiting her own work including Defiance gallery miniature 6x6x6 show, Sculpture at Sawmillers, Bathurst Regional Gallery, Lake Light Jindabyne, Sculpture for Clyde Batemans bay, Orange Regional Gallery & has continual works at Gang Gang Gallery.

255.  ‘Howling Dogs’ by David Perkins (Gundaroo)
255. ‘Howling Dogs’ by David Perkins (Gundaroo)

‘Howling Dogs’ by David Perkins (Gundaroo)

MATERIAL: Mild steel

SIZE: 73 x 44 x 14 (cm)

PRICE: SOLD

ARTIST STATEMENT: Hair stands on end, while howling at the moon...

256.   ‘Eau De Rubbish’ by Rebecca Pierce (Neutral Bay)
256. ‘Eau De Rubbish’ by Rebecca Pierce (Neutral Bay)

MATERIAL: Found and recycled objects

SIZE: 50 x 60 x 50 (cm)

PRICE: $2,500

ARTIST STATEMENT: Many countries export their plastic problems offshore without focusing on the long-term negative effects. The discarded materials used could be seen as ‘rubbish’. The diversity of colours reflects the smorgasbord of coloured plastics found in tips, waterways, and land fill.

ARTIST BIO: Rebecca has been a practicing artist for the past 20 years. Painting as her base she also embraces photography and sculpture. Working with mixed media, works are often colour filled and highly textural. Rebecca has made the finals of numerous Art Awards and continues to exhibit across Australia and overseas.

257.  ‘Pinky's Polka’ by Sallie Portnoy (Queenscliff)
257. ‘Pinky's Polka’ by Sallie Portnoy (Queenscliff)

MATERIAL: Cast lead glass crystal

SIZE: 23 x 20 x 18 (cm)

PRICE: $2,900

ARTIST STATEMENT: Cheeky 'Pinky' is almost jumping out of her skirt in joyous abandonment to the delight of the dance.

ARTIST BIO: Portnoy is a prolific interdisciplinary artist, working in glass, clay, metals, & mixed media. Her background in ceramics informs her work in glass, which has earned recognition and representation internationally in private and permanent collections. Portnoy teaches workshops worldwide and lives, works & teaches on the Northern Beaches of Sydney.

258.  ‘My Octopus Feature’ by Sallie Portnoy (Queenscliff)
258. ‘My Octopus Feature’ by Sallie Portnoy (Queenscliff)

MATERIAL: Cast lead glass crystal

SIZE: 38 x 45 x 18 (cm)

PRICE: $3,950

ARTIST STATEMENT: 'My Octopus Feature' is a humorous play on the documentary 'My Octopus Teacher' (Netflix 2020) where the filmmaker forges an unusual friendship with an octopus living in a South African kelp forest, learning as the animal shares the mysteries of her world and way of living harmoniously within her environment.

ARTIST BIO: Portnoy is a prolific interdisciplinary artist, working in glass, clay, metals, and mixed media. Her background in ceramics informs her work in glass, which has earned recognition and representation internationally in private and permanent collections. Portnoy teaches workshops worldwide and lives, works & teaches on the Northern Beaches of Sydney.

259.  ‘Pina Coleena’ by Sallie Portnoy (Queenscliff)
259. ‘Pina Coleena’ by Sallie Portnoy (Queenscliff)

MATERIAL: Cast lead glass crystal

SIZE: 25 x 38 x 18 (cm)

PRICE: $3,800

ARTIST STATEMENT: Pina Coleena is COVID free! A play on the infamous cocktail Pina Colada, she is simply about embracing frivolity, fun and folly in these serious times.

ARTIST BIO: Portnoy is a prolific interdisciplinary artist, working in glass, clay, metals and mixed media. Her background in ceramics informs her work in glass, which has earned recognition and representation internationally in private and permanent collections. Portnoy teaches workshops worldwide and lives, works & teaches on the Northern Beaches of Sydney.

260.  ‘Strange Attractor No 2’ by Alan Rose (Sydney)
260. ‘Strange Attractor No 2’ by Alan Rose (Sydney)

MATERIAL: Acrylic

SIZE: 80 x 80 x 8 (cm)

PRICE: $2,900

ARTIST STATEMENT: This work investigates the properties of acrylics, how they mysteriously project images and how they create fascinating shadows and reflections.

ARTIST BIO: Originally an engineer, my practice relates to 3-dimensional repetitive shapes, activated by lights or shadow. I have exhibited in various public shows, including Vivid Light, Sculpture by the Sea, Woollahra Small Sculpture, North Sydney Art Prize and others, and have held five solo exhibitions.

263.   ‘Resignation’ by Alex Scheibner (Rylstone)
263. ‘Resignation’ by Alex Scheibner (Rylstone)

MATERIAL: Mild Steel

SIZE: 20 x 26 x 14 (cm)

PRICE: SOLD

ARTIST BIO: Alex Scheibner trained as a blacksmith and mechanical fitter. It was a natural progression to move towards sculpture where years of developing both his understanding of the nature of metals and his metalworking skills could take on such varied applications.

264.  ‘When Spring Comes, the Earth Sings’ by Colleen Southwell (Mullion Creek)
264. ‘When Spring Comes, the Earth Sings’ by Colleen Southwell (Mullion Creek)

MATERIAL: Paper, wire, watercolour, pigment, entomology pins.

SIZE: 53 x 79 x 6 (cm)

PRICE: SOLD

ARTIST STATEMENT: 'When Spring Comes, the Earth Sings' intends to capture the joy and hopefulness of spring emerging. Through challenging times, the unfurling of spring offers a reminder that that light follows darkness. Framed in raw Australian oak.

ARTIST BIO: Drawing on a background in horticulture and life spent with hands in earth, Colleen’s practice celebrates nature, wild and cultivated. Reminiscent of botanical and entomology specimens, her intricate works are intended to be observed closely, inviting the onlooker to pause and delve into a personal connection with the natural world.

265.   ‘Maquette of Louisa Lawson, Artists proof’ by Margot Stephens (Eurunderee Mudgee)
265. ‘Maquette of Louisa Lawson, Artists proof’ by Margot Stephens (Eurunderee Mudgee)

MATERIAL: Bronze

SIZE: 42 x 18 x 18 (cm)

PRICE: $10,000 Artists proof (displayed work NFS)

ARTIST STATEMENT: Louisa Lawson Statue maquette: Artist’s proof for limited edition of 10. Acknowledged Mother of Women’s Suffrage in NSW, Louisa Lawson lived in this valley until 1883 when she moved to Sydney and campaigned for a wide range of rights for women.

ARTIST BIO: Margot Stephens is passionate about sculpting portraits of women of exception: Joy Cummings, first woman elected Lord Mayor, Newcastle 2019. Gai Waterhouse, first Australian woman to train a Melbourne Cup winner. 2020 Louisa Lawson, publisher & social reformer. Breaking the bronze ceiling for women in Public Art!

266.   ‘Peaceful Warrior’ by Shaun Summers (North Rocks)
266. ‘Peaceful Warrior’ by Shaun Summers (North Rocks)

MATERIAL: Bronze

SIZE: 41 x 11 x 10 (cm)

PRICE: SOLD

ARTIST STATEMENT: Dedicated to the warrior in all of us. Centred, strong and imposing with a sense of serenity and calm. Embodied in this Warrior is the virtue of patience, an element of defiance and significant resilience.

ARTIST BIO: Shaun Summers lives in Sydney and has been sculpting with the Sydney Sculpture School/Artisan Bronze for several years. She has a creative interest for various media however her passion is sculpture. Her sculptural work is figurative and she has recently completed a “Warrior” Series.

267.   ‘Forgotten #14’ by Lynne Sung (Lilyfield)
267. ‘Forgotten #14’ by Lynne Sung (Lilyfield)

MATERIAL: Fired paperclay on board

SIZE: 5 x 60 x 60 (cm)

PRICE: SOLD

ARTIST STATEMENT: Forgotten series is a response to the conflicted mindset with which we approach our natural environment. Close observation of environment rewards the viewer with a myriad of textures and forms that are often overlooked. The fragile bisque fired paper clay reflects the fragility and vulnerability of our natural environment.

ARTIST BIO: Lynneis a Sydney based mixed media artist. She has won the works on paper prize at Glebe Art Show and she has been selected as a finalist in a number of contemporary art prizes in Australia including the North Sydney Art Prize and Hunter’s Hill Art Prize.

268.   ‘Forgotten #13’ by Lynne Sung (Lilyfield)
268. ‘Forgotten #13’ by Lynne Sung (Lilyfield)

MATERIAL: Bisque fired paperclay on board

SIZE: 5 x 40 x 40 (cm)

PRICE: SOLD

ARTIST STATEMENT: Forgotten series is a response to the conflicted mindset with which we approach our natural environment. Close observation of environment rewards the viewer with a myriad of textures and forms that are often overlooked. The fragile bisque fired paper clay reflects the fragility and vulnerability of our natural environment.

ARTIST BIO: Lynneis a Sydney based mixed media artist. She has won the works on paper prize at Glebe Art Show and she has been selected as a finalist in a number of contemporary art prizes in Australia including the North Sydney Art Prize and Hunter’s Hill Art Prize.

269.  ‘Loneliness’ by Tracey Wigg (Dulwich Hill)
269. ‘Loneliness’ by Tracey Wigg (Dulwich Hill)

MATERIAL: Raku white clay, earthenware glaze & copper

SIZE: 20 x 14 x 14 (cm)

PRICE: SOLD

ARTIST STATEMENT: Loneliness is something that we have all had to deal with during the last two years of Covid chaos, depicted by a lone pear that would normally be nestled in a bowl with other fruit.

ARTIST BIO: Tracey is new to ceramics, and is excited to pursue her future as a struggling artist. After a lifetime working in corporate communications, and more recently as a freelance writer, she now spends her time between Sydney and Mudgee working with clay.

270.   ‘Se-pear-ated’ by Tracey Wigg (Dulwich Hill)
270. ‘Se-pear-ated’ by Tracey Wigg (Dulwich Hill)

MATERIAL: Raku white clay, earthenware glaze & copper

SIZE: 16 x 10 x 10 (cm)

PRICE: SOLD

ARTIST STATEMENT: During the covid chaos of the last two years we have all been separated in some way, shape or form from our regular lives, our families and loved ones. A lone pear separated from its tree family of pears is representative of this.

ARTIST BIO: Tracey is new to ceramics, and is excited to pursue her future as a struggling artist. After a lifetime working in corporate communications, and more recently as a freelance writer, she now spends her time between Sydney and Mudgee working with clay.

Featured
271.   ‘Oak Pear’ by Trenton Woolcott (Greystanes)
271. ‘Oak Pear’ by Trenton Woolcott (Greystanes)

MATERIAL: Solid European Oak, mild steel

SIZE: 120 x 55 x 55 (cm)

PRICE: SOLD

ARTIST STATEMENT: Large Bosc style pear carved from seasoned English Oak (Quercus robur), mild steel stalk and Marine Spar Varnish. Shaped primarily with a chainsaw before sanding and finishing.

ARTIST BIO: Moving to the Narrabri area in the NSW North-West for the last few years led to the opportunity to try chainsaw carving and metal trades such as blacksmithing. I enjoy combining these two elements often in botanically inspired work.

272.   ‘Green Pear’ by Trenton Woolcott (Greystanes)
272. ‘Green Pear’ by Trenton Woolcott (Greystanes)

MATERIAL: Camphor Luarel timber, mild steel

SIZE: 75 x 45 x 45 (cm)

PRICE: SOLD

ARTIST STATEMENT: Salvaged Camphor Laurel timber with mild steel stalk and leaf. Outdoor grade varnish. Chainsaw, rasp, grinder and sander were used on the timber, stalk and leaf have been shaped and textured using blacksmith techniques.

ARTIST BIO: Moving to the Narrabri area in the NSW North-West for the last few years led to the opportunity to try chainsaw carving and metal trades such as blacksmithing. I enjoy combining these two elements often in botanically inspired work.

273.   ‘Togetherness x4’ by Jeff & Jeanette Hyde (Jindivick)
273. ‘Togetherness x4’ by Jeff & Jeanette Hyde (Jindivick)

MATERIAL: Corten steel / Stainless steel

SIZE: 149 x 70 x 3 (cm)

PRICE: $1,500 (each) / $6,000 (the set)

ARTIST STATEMENT: An installation of four silhouette panels featuring pairs of Galahs, Kookaburras, Cockatoos, and King Parrots, which depict the happiness of being together. These panels are hand drawn, then freehand plasma cut in Corten weathering steel.

ARTIST BIO: Inspired by the abundant animal and birdlife that frequent their rural Victorian property, Jeff & Jeanette seek to capture the sense of fun they feel observing these wild creatures at play. From sketch pad to free hand plasma cut steel, they bring unique silhouette sculptures and playful characters to life.

274.  ‘Magpie Melody’ by Jeff & Jeanette Hyde (Jindivick)
274. ‘Magpie Melody’ by Jeff & Jeanette Hyde (Jindivick)

MATERIAL: Corten steel / Stainless steel

SIZE: 158 x 61 x 3 (cm)

PRICE: $3,100 (pair)

ARTIST STATEMENT: A trio of Magpies warbling together, never far from sight or earshot, as they create their own unique melody. These two silhouette panels are hand drawn, then freehand plasma cut in Corten weathering steel.

ARTIST BIO: Inspired by the abundant animal and birdlife that frequent their rural Victorian property, Jeff & Jeanette seek to capture the sense of fun they feel observing these wild creatures at play. From sketch pad to free hand plasma cut steel, they bring unique silhouette sculptures and playful characters to life.

275.   ‘Mudgee – Nest In The Hills - Large’ by David Doyle (Bell Park)
275. ‘Mudgee – Nest In The Hills - Large’ by David Doyle (Bell Park)

MATERIAL: Steel

SIZE: 270 x 70 x 20 (cm)

PRICE: $1,250 (large)

ARTIST STATEMENT: The name Mudgee means 'Nest in the Hills'. I have made three 'Blue Fairy Wrens'...each in their own nest in the hills.

ARTIST BIO: Raised in the relatively harsh, post 1950’s, western suburbs of Melbourne. Extensive travelling and living overseas has made me aware of those early influences. Confronting that ‘starkness’ by making physically ‘rough’ sculpture, I sense a path to the underlying richness of life. The creative process helps me to make sense of this world. In trying to capture the essence of things, I get a glimpse into the underlying beauty. What else can one share or ask about 'art'.

276.  ‘Mudgee – Nest In The Hills – Small’ by David Doyle (Bell Park)
276. ‘Mudgee – Nest In The Hills – Small’ by David Doyle (Bell Park)

MATERIAL: Steel

SIZE: 180 x 70 x 20 (cm)

PRICE: $950 (small)

ARTIST STATEMENT: The name Mudgee means 'Nest in the Hills'. I have made three 'Blue Fairy Wrens'...each in their own nest in the hills.

ARTIST BIO: Raised in the relatively harsh, post 1950’s, western suburbs of Melbourne. Extensive travelling and living overseas has made me aware of those early influences. Confronting that ‘starkness’ by making physically ‘rough’ sculpture, I sense a path to the underlying richness of life. The creative process helps me to make sense of this world. In trying to capture the essence of things, I get a glimpse into the underlying beauty. What else can one share or ask about 'art'.

277. ‘Sense of Place - Map of Mudgee’ by David Doyle (Bell Park)
277. ‘Sense of Place - Map of Mudgee’ by David Doyle (Bell Park)

MATERIAL: Painted steel

SIZE: 33 x 19 x 10 (cm)

PRICE: $270

ARTIST STATEMENT: The sculpture is a map of Mudgee.

ARTIST BIO: Raised in the relatively harsh, post 1950’s, western suburbs of Melbourne. Extensive travelling and living overseas has made me aware of those early influences. Confronting that ‘starkness’ by making physically ‘rough’ sculpture, I sense a path to the underlying richness of life. The creative process helps me to make sense of this world. In trying to capture the essence of things, I get a glimpse into the underlying beauty. What else can one share or ask about 'art'.

278.   ‘Stone Flowers x14’ by David Doyle (Bell Park)
278. ‘Stone Flowers x14’ by David Doyle (Bell Park)

MATERIAL: Shaped stone, steel

SIZE: 25 x 50 x 50 (cm)

PRICE: $180 (each)

ARTIST STATEMENT: Wanted to make a sculpture that 'hugged' the ground, that would fit any area... and to contrast the stone/steel.

ARTIST BIO: Raised in the relatively harsh, post 1950’s, western suburbs of Melbourne. Extensive travelling and living overseas has made me aware of those early influences. Confronting that ‘starkness’ by making physically ‘rough’ sculpture, I sense a path to the underlying richness of life. The creative process helps me to make sense of this world. In trying to capture the essence of things, I get a glimpse into the underlying beauty. What else can one share or ask about 'art'.

279.  ‘Stainless Steel Sphere flowers Lg x4’ by David Doyle (Bell Park)
279. ‘Stainless Steel Sphere flowers Lg x4’ by David Doyle (Bell Park)

MATERIAL: Steel, stainless steel

SIZE: 45 x 45 x 30 (cm)

PRICE: SOLD

ARTIST STATEMENT: The stainless-steel spheres of the 'flower' tops reflect the surrounding objects/colours, each other, sunlight, and moonlight. I have noticed one bird in my outdoor work area walks between the spheres, seemingly fascinated by its own reflection. (Large $270 each or Set 12 $3750). Size shown was for one. All 12 can cover an area say 2m x 3m...and can be mixed with stone flowers (entry 279).

ARTIST BIO: Raised in the relatively harsh, post 1950’s, western suburbs of Melbourne. Extensive travelling and living overseas has made me aware of those early influences. Confronting that ‘starkness’ by making physically ‘rough’ sculpture, I sense a path to the underlying richness of life. The creative process helps me to make sense of this world. In trying to capture the essence of things, I get a glimpse into the underlying beauty. What else can one share or ask about 'art'.

280.   ‘Stainless Steel Sphere flowers XL x6’ by David Doyle (Bell Park)
280. ‘Stainless Steel Sphere flowers XL x6’ by David Doyle (Bell Park)

MATERIAL: Steel, stainless steel

SIZE: 45 x 55 x 35 (cm)

PRICE: SOLD

ARTIST STATEMENT: The stainless steel spheres of the 'flower' tops reflect the surrounding objects/colours, each other, sunlight, and moonlight. I have noticed one bird in my outdoor work area walks between the spheres, seemingly fascinated by its own reflection.

ARTIST BIO: Raised in the relatively harsh, post 1950’s, western suburbs of Melbourne. Extensive travelling and living overseas has made me aware of those early influences. Confronting that ‘starkness’ by making physically ‘rough’ sculpture, I sense a path to the underlying richness of life. The creative process helps me to make sense of this world. In trying to capture the essence of things, I get a glimpse into the underlying beauty. What else can one share or ask about 'art'.

281.  ‘Stainless Steel Sphere flowers XXL x2’ by David Doyle (Bell Park)
281. ‘Stainless Steel Sphere flowers XXL x2’ by David Doyle (Bell Park)

MATERIAL: Steel, stainless steel

SIZE: 55 x 60 x 40 (cm)

PRICE: SOLD

ARTIST STATEMENT: The stainless steel spheres of the 'flower' tops reflect the surrounding objects/colours, each other, sunlight, and moonlight. I have noticed one bird in my outdoor work area walks between the spheres, seemingly fascinated by its own reflection.

ARTIST BIO: Raised in the relatively harsh, post 1950’s, western suburbs of Melbourne. Extensive travelling and living overseas has made me aware of those early influences. Confronting that ‘starkness’ by making physically ‘rough’ sculpture, I sense a path to the underlying richness of life. The creative process helps me to make sense of this world. In trying to capture the essence of things, I get a glimpse into the underlying beauty. What else can one share or ask about 'art'.

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Copyright: Sculptures in the Garden

ABN: 29 123 733 271

 

Sculptures in the Garden

Mudgee NSW

Rosby Wines & Gallery | 122 Strikes Lane, Eurunderee, NSW, 2850, Australia

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